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Volcanic eruptions sparked grim chain of events that brought the Black Death

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Hidden inside the narrow growth rings of Pyrenees trees lies the strongest evidence yet for what set the Black Death in motion. For the first time, researchers have combined high-resolution climate reconstructions with medieval records to draw a direct connection between a sudden climatic shock and the arrival of the plague in Europe, where it killed tens of millions between 1347 and 1353.

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Category: Biology, Science

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Smart kitchen cube guides you through recipes as it watches you cook

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Some of us are natural-born chefs with the ability to look at a few ingredients and whip up a succulent meal, while others have the knack of being able to burn boiling water. The Cube o1: Your Personal AI Chef, is designed to guide either group towards tastier culinary shores.

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Category: Around The Home, Lifestyle

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A free upgrade from Sony unlocks 4K120 recording on the ZV-E10 II

Digital Photography Review news -

When you use DPReview links to buy products, the site may earn a commission. Image: Sony

Sony has released an update for its ZV-E10 II that unlocks better slow-motion capabilities from the tiny vlogging-focused camera. While the addition of 4K120p recording is free, it isn’t delivered as a standard firmware‑only update.

Instead of being able to install new firmware, the typical way releases like these are disseminated, ZV-E10 II users will instead need to install a free license file. To do so, users can go to the Sony Creators' Cloud website and sign in with their account to obtain the license. Alternatively, you can generate a license without an account by entering your camera's serial number.

The upgrade also adds support for shooting Full HD footage at 240 fps.

In addition to the 4K/120 mode, the upgrade also adds support for shooting Full HD footage at 240 fps. There are some limitations with both additions, however. First, proxy recording isn't supported with either of the new frame rates. Additionally, Smart Zoom, Clear Image Zoom and Digital Zoom are also restricted when 4K120 recording or "slow and quick*" frame rates of 120 fps or higher.

The higher frame rate also comes with a more substantial crop. At 4K60, the ZV-E10 II uses a 1.1x crop (with stabilization off), while the updated 4K120 mode results in a 1.6x crop, which is a relatively substantial change in your field of view.

While the upgrade license required to unlock the new recording modes requires some extra steps compared to a typical firmware update, it being free makes that a bit easier to swallow. It also makes the ZV-E10 II an even more capable and versatile vlogging camera.

You can learn more about the 4K120 Upgrade License in Sony's help guide or head to the Creators' Cloud to upgrade.

* Sony's term for footage that's slowed down or sped up in camera.

Gear of the Year - Mitchell's Choice: the optically audacious Sony FE 50-150mm F2 GM

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When you use DPReview links to buy products, the site may earn a commission. Images: Sony / Mitchell Clark

It's not terribly often that I get to test something that's unlike any other piece of equipment I've used before, but from the moment I laid hands on it, I knew the Sony FE 50-150mm F2 GM would provide one of those rare occasions. I'd used both Sony's and Canon's 28-70mm F2s before, but was excited to have that same speed and level of versatility in a telephoto zoom. All the lens had to do was have decent image quality, and I'd have been delighted.

Given that this is a Gear of the Year article, you probably won't be surprised to hear that it surpassed that benchmark. Even wide-open, I was impressed by how sharp it was, capturing as much detail as I wanted (at least, in the razor-thin silver of the scene that was in focus). I was also impressed at how well it handled chromatic aberration, even in relatively harsh conditions. Sure, there's a touch of color fringing in this image, but given that it was taken with a zoom, wide open in direct sunlight, it's more than acceptable in my book.

Beyond any technical aspects, though, there was just something about this lens that I really enjoyed. Perhaps I simply really enjoy this focal range. Or maybe it was the amount of subject separation I could achieve at the long end, the quality of the bokeh at F2, or the fact that I could be taking environmental portraits at one moment, spot an animal in the distance, and get a decent picture of it without having to change lenses or get too close to it.

Realistically, I suspect it's actually that this lens offers all of that, without being impossible to lug around and shoot with. Make no mistake, this lens is definitely a commitment to take with you; it's just not an undue one. In fact, it weighs less than Sony's original 70-200mm F2.8 GM OSS, though the newer version of that lens is 30% lighter than the 50-150. I'm not exactly known for packing light, so take this assessment with a grain of salt, but I never hesitated to take it out with me on a photo walk while I was testing it, which hasn't always been the case with other F2 telephotos I've tested (not that those lenses are particularly comparable).

The elephant in the room is the price. At $4000, most of the people buying this lens are likely to be professional sports or wedding photographers, rather than enthusiasts. But having had the opportunity to use it as the latter, I find myself envying those who can justify getting one. While I'll always preach the gospel of finding ways to be creative with what you already have, I'll also acknowledge that sometimes a piece of gear – especially lenses – can just catch you in a certain way, meshing with your creative instinct in a way that others don't.

I got that feeling shooting with the 50-150mm F2; if I had the means, I would definitely be picking one up. The engaging experience of using it made it my favorite example from what's been an impressive run of lenses from Sony: the 16mm F1.8, 100mm F2.8 Macro GM and the 28-70mm F2 from late last year. I'm left wondering what their optical division will come out with next... and impatiently waiting to get to shoot with it.

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Abby's Photo of the year: fall on film

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My favorite photo from this past year was of my favorite season, in one of my favorite places and taken with my current favorite camera.

Mamiya RB67 | Kodak Portra 400

I am a notoriously indecisive person and rather hate making decisions in most situations. So, when tasked with choosing my favorite photograph from the past year, I immediately started agonizing. How on earth is one to select only a single photo that, theoretically, represents an entire year?

With that in mind, I started combing through the thousands and thousands of images I've created this year. I've documented hikes, vacations, work trips, family time and quiet moments at home. I've also participated in numerous local photography club photo walks. The end result is an overwhelming number of images across a diverse set of subjects and genres to choose from. As I scanned through all of them, one kept popping back into my head.

If you aren't familiar with the Mamiya RB67, here I am using it at the beach. This wasn't where I took the image at the top of the article, or immediately below, but it is where I took the image of the stilt house in the gallery at the bottom.
Photo: Anthony Verdi

I took the image while I was home in Minnesota, where I grew up. I try to make a pilgrimage there every fall, since I've lived in tropical environments for the past six years and desperately miss dramatic seasons. This year, I lugged home my Mamiya RB67, which my husband gave me for Christmas last year and is my new prized possession.

While I've taken plenty of images that I really like with that camera over the course of the year (some of which you can see in the gallery below), this one stands out to me as a favorite. There's no grand story behind it; the light was simply nice on my last evening at home, and I wanted to finish the rolls of film in my cameras before my flight the next day. So I wandered down to the pond in my parents' backyard with my mom and took some images (admittedly with three separate cameras, as any sane photographer would do).

I remember when I got scans back, it stopped me in my tracks. It's an image that I'm very proud of, especially since I managed it on a camera with no built-in light meter and no autofocus. The colors, the light and the subject tick a lot of boxes for me. That it was taken with my beloved film camera in one of my favorite places makes it even better for me. Add to all that the fact that my mom was standing next to me, watching me do my thing, and it's hard to imagine not choosing this image.

Another image that I took on the same roll of film that evening, which others have said is their favorite.

At the risk of rambling about far more than a single photograph – which is the point of this article – let me address the potential elephant in the room: yes, I'm highlighting a film photo at Digital Photography Review. But, you see, 2025 was a year of returning to film (which is how I learned photography) in earnest for the first time since I earned my Master of Fine Arts a decade ago. Some may see that as a foolish or even pointless decision, but I love using film for many reasons. I still use digital cameras constantly (I do work at DPReview, after all), but there were plenty of times this year that I left the digital camera at home in favor of my trusty Pentax K1000, or that I turned to my Mamiya instead of my Sony.

As a result, my list of favorite photos from the past year is a mix of both digital and film (both 35mm film and medium-format). And since I am so indecisive, here are some of those that nearly made the cut of my top image.

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Sleek titanium piston bottle now filters coffee AND parasites

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Today’s backpacker may be way off-grid on a remote island or up a perilous mountain – but they usually still expect to enjoy a decent cup of quality coffee. For alpha trekkers, a tepid stewed flask of instant coffee just won’t cut it. So Seattle-based high-end outdoor kit specialist Grayl has just launched an accessory that demonstrates how much those North Westerners value their caffeine hit.

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Category: Gear, Outdoors

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Your most impactful gear and technique choices revealed

Digital Photography Review news -

Photo by synyan

In this week's Question of the week, members of the community said the biggest positive changes to their photography came from simplifying their gear and embracing a few smart tools and habits, rather than chasing specs alone.

Some of you pointed to big-ticket purchases, such as returning to interchangeable-lens systems after a long absence or investing in a medium-format body. In contrast, others highlighted inexpensive adapters, flashes, or AI tools that quietly transformed your workflow. A recurring theme was that anything which removed friction, such as lens changes, menu-diving, clunky tripods, or excessive retouching, freed you to focus more on composition, timing, and storytelling.

Read on for a spotlight selection of contributions, and then join our forum community to share your great photos and the stories they tell.

New gear rekindling motivation Photo by MyReality

Several community members did point to new cameras or lenses as their standout change, but not only for the specs. What mattered most was how a body or lens made them feel: whether they were more inclined to get out to take photographs, more confident handling the camera or less distracted by constant gear decisions.

Alan Sh: I know it sounds odd, but buying the Fuji X-E5 rekindled my excitement for street photography. The camera just felt 'right' in my hand - much more so than the X100VI I had purchased over 12 months before.

barefeetDave: New gear. Pulled the trigger and picked up the Panasonic Lumix S1R2… It's a heavy kit, but the images I get are terrific. I love the tactile controls of the S1R2 - I rarely have to dig into the menus to change setup.

Poppamies: Getting my telephoto zoom for Fuji, the Sigma 100-400 DG dn os. They say gear doesn't matter, but it does, wildlife is hard with a 16-80mm zoom, haha.

tvgc: The battle of size was the most influential contributor to my photography this past year. Aging brings challenges, and I found myself looking for a camera that I could carry without significant IQ compromises, but wasn't too bulky in size. I was fortunate in that I had the opportunity to try a couple of the Internet's favorite compacts. I had owned a Sony RX1RMK2 and really enjoyed it, a few years ago I foolishly sold it when I moved to the Sony A7C models.

MyReality: In 2025, I shot a lot more video, had a lot of slides scanned, and had an 80-image book printed. I did not buy more gear because my photography is shifting more to video, and I have made no decision on cameras. 2026 will be the year I buy a much more videocentric camera.

Howard V: My photography was most influenced in 2025 by a newly purchased iPhone 16 Pro. I decided to delve more deeply into its features than previously owned models, and into phone photography as a legitimate approach. To reinforce this, I shelved all other photo equipment. At first, it felt novel, but then it became less pleasant as its shortcomings became more evident. But I mostly stuck it out until July.

Habits, discipline, and shooting more Photo by Sam Bennett

For others, the biggest impact came from how they worked rather than what they bought. The community described small studio and workflow changes that paid big dividends in consistency, efficiency and enjoyment.

sirhawkeye64: For me, it was just getting out more and shooting more with what I already have. No need for newer/better gear, but just getting out, experiencing new things, and practicing is what had the biggest impact for me over this past year+. I'm at the stage where I don't need/necessarily want the newest, most expensive gear. I just want capable gear, which is what I have for what I shoot. It's not the latest or fastest, but it gets the job done. Now I'm focused more on shooting and making memories.

Sam Bennett: This one's easy - re-adopting the habit of having an 'every day carry' camera. Going to the coffee shop wasn't just about getting caffeinated; it was about getting creative. One of the biggest benefits of this is that the OM-3 has become an extension of my body - I use it so often that it is completely second nature. It has also helped me use my OM-1 differently and more efficiently - I understand that camera better now than I did before I got the OM-3.

Krummj: I’ve been printing more. But printing on the small side, 5x7. Printing is quick with the small size, and the photos look great. For shooting, I've been having fun with adapted Nikon G primes (these were made for full-frame DSLR and film Nikons). Adapted to my ZF and Z7, they work perfectly, and the images have something I like about them compared to the latest Z lenses (don't ask me what).

AndreyBess: I did several things…

1) Read all books by Bryan Peterson - they helped in several aspects
2) Started to use Canon Linear profile while doing RAW processing from my Canon RP.
3) Started to use DxO PureRaw, which saved a lot of my ISO 1600+ shots.
4) Bought Canon EF 16-35 F4 IS (used a EF-S Sigma 2.8 before) in addition to my Tamron 35-150 2.8-4.0 and Canon EF 100mm f2.0.
5) Finally started to shoot much more. It improved me very much.
6) Try to shoot as best as I can directly from my camera

Software, AI, and post‑processing changes Photo by Howard V

AI and software didn’t dominate the thread, but when they came up, readers said they quietly transformed post-processing. The focus was less on flashy effects and more on tools that removed tedious cleanup work.

Vince P: I know it's blasphemous, but the latest AI distraction, reflection removal, etc, has saved me so much time.

Maoby: The new AI features in photo editing software, such as LR, are fantastic when used intelligently and sparingly.

JaredL: Cancelling my Adobe subscription after more than a decade. I'm still getting accustomed to DxO PhotoLab, and it's been fun revisiting and re-editing photos from years ago to see the results.

icexe: Learning how to utilize Adobe Camera Raw better to do post-processing. I've learned a lot of really cool masking and lighting techniques to create just about any look I like without relying on plug-in ‘film packs’ or recipes to do it.

Community, learning, and life‑experience driven shifts Photo by Pedrin

Several readers mentioned that their biggest leap occurred when they changed how they viewed and shared their images. Printing, in particular, emerged as a surprisingly powerful habit.

fotoword: Camera club membership drives me to get out of my chair and my comfort zone to enter the various themed and open competitions in my local club. I think this challenge, along with attending meetings with like-minded individuals, is what mostly gets me motivated.

Acquiring an XT50 earlier in the year and later a Canon 45 mm F1.2 for my R8 helped make those excursions even more interesting. I'm just waiting for my Godox IT32 to arrive to elevate the excitement that photography provides. Of course, it's not about the gear, but it does assist the enthusiasm.

Pavel Vishniakov: I started going to photo workshops and master classes organized by a local photo gear chain. It also pushed me to look at the world differently and capture photos that I wouldn't have thought of myself.

fatplanediaries: 2025 was when I decided to launch myself by doing well in as many photography competitions as I could. It was a humbling experience. I found out how far I still have to go.

It's now the end of 2025, and I can look back at my 2.5-year panorama odyssey with good clarity. There are many obvious lessons to get out of the way. For one, the Dunning-Kruger effect can haunt you at any stage of your creative life. For another, don't have such an ego. I've since received critiques from some really amazing photographers on my photos, and learned about aspects of photography I'd never known before.

Pedrin: Hello, everyone. This is my very first time posting on this website. I am now totally blind, with some light and form perception remaining. I was able to go forward and still photograph for the pleasure of others to see, and for the pleasure of me going back to very basic manual. I am therefore experiencing the joy of my photography as I have throughout my whole life.

Change that brings enjoyment

Across all these stories, it's clear that the most impactful change in 2025 was anything that made it easier to shoot often and enjoy the process - whether that came from a new camera, a smarter workflow or a simple habit that stuck.

Are you interested in participating in this series? Keep watch for the next Question of the week every other Wednesday, posted as an article here on the homepage and also in the forums. We can't wait to read and share your stories.

Adobe's flagship software is now available in ChatGPT’s conversational interface

Digital Photography Review news -

Image: Adobe

Earlier this year, Adobe made it possible to use third-party AI models in Photoshop, but now, the reverse is also true, and the company is bringing its own tools to AI chat platforms. Adobe is integrating Photoshop, Adobe Express and Adobe Acrobat with ChatGPT, allowing users to access select Adobe tools directly in the AI-powered conversational chatbot, for free.

Adobe says the integration aims to make it easier for everyone to edit photos, design invites and posters and create professional-looking documents. Users will be able to use ChatGPT’s conversational interface to request changes, instead of hunting for the correct tool themselves. The move builds on Adobe's AI Assistants and its beta Edit Suggestions feature, which it introduced at Adobe Max as its first step in testing "agentic style" editing.

Image: Adobe

To access the apps in ChatGPT, users need to type the name of the app or select it from the plus menu. Then users type a specific request describing the change they want. For example, if someone wants to change the colors in an image, they need to type something like, "Adobe Photoshop, warm up the colors in the image." After applying the adjustment, users can click on the selection and use sliders to fine-tune the edits, similar to what they might do in Photoshop (or at least a pared-down version of it).

Image: Adobe

Photoshop in ChatGPT won't offer the full suite of features found in the desktop software or mobile app. But it will allow for adjustments to a specific part of an image, provided you can define the section you want changed. It also supports changes to global image settings such as brightness, contrast and exposure, along with creative effects like Glitch and Glow. Adobe says that those who want more complete adjustments can then transfer an image from ChatGPT into its native apps and pick up where they left off.

The Adobe ChatGPT apps are available on desktop, the web and iOS. The Adobe Express ChatGPT app can be used on Android devices, and Adobe says that support for Photoshop and Acrobat is coming soon. All of the apps are free to use, and they don't require a paid ChatGPT subscription. However, some Acrobat and Adobe Express features do require users to sign in to an Adobe account.

Press release:

Adobe Makes Creativity Accessible for Everyone with Adobe Photoshop, Adobe Express and Adobe Acrobat in ChatGPT
  • Everyone can now edit with Photoshop in ChatGPT as Adobe’s category-defining creative app launches inside one of the world’s most popular conversational AI platforms
  • Adobe apps for ChatGPT combine the simplicity of conversation with the power of Adobe’s industry-leading tools to make it easy for everyone to edit photos, enhance designs and transform documents without leaving ChatGPT
  • The launch of Adobe apps for ChatGPT brings Adobe’s most popular creative and productivity apps – Photoshop, Adobe Express and Acrobat – to ChatGPT’s 800 million weekly users

SAN JOSE, Calif. — December 10, 2025 — Adobe (Nasdaq:ADBE) today launched Adobe Photoshop, Adobe Express and Adobe Acrobat for ChatGPT, bringing its industry-leading creative and productivity apps to the platform’s 800 million users. Adobe apps for ChatGPT build upon the company’s innovation in agentic AI, enabling everyone to easily enhance vacation photos, design event invitations and create polished, professional documents simply by describing what they want to achieve with their words. By combining the power of Adobe’s creative technology with ChatGPT’s conversational interface, Adobe apps for ChatGPT make creativity accessible for everyone.

"We’re thrilled to bring Photoshop, Adobe Express and Acrobat directly into ChatGPT, combining our creative innovations with the ease of ChatGPT to make creativity accessible for everyone," said David Wadhwani, president, digital media, Adobe. "Now hundreds of millions of people can edit with Photoshop simply by using their own words, right inside a platform that’s already part of their day-to-day."

The launch of Photoshop, Adobe Express and Acrobat for ChatGPT builds on Adobe’s ongoing innovation in conversational experiences powered by agentic AI and the Model Context Protocol (MCP). Earlier this year, Adobe launched Acrobat Studio, a destination for productivity and creativity that transforms static documents into interactive, AI-powered workspaces where people can ask questions, get insights, and easily create standout content from their PDFs. At Adobe MAX, Adobe introduced AI Assistants for Photoshop and Adobe Express that empower everyone to create using their own words and refine results using the company’s world-class tools. Adobe also previewed an upcoming AI Assistant for Adobe Firefly that will empower creators to quickly turn their ideas into finished content by working across multiple Adobe apps and beyond.

Adobe’s Top Creative and Productivity Apps Now in ChatGPT

Adobe apps for ChatGPT bring Adobe’s category-defining tools to people who may be new to its apps. The apps provide users with many popular features they need to create within the chat, where they can make conversational edits or take control using Adobe’s intuitive tools like sliders in Photoshop, to adjust image brightness or contrast.

Accessing Adobe’s apps in ChatGPT is as simple as typing the name of the app followed by an instruction. For example, to blur the background of an image with Photoshop, users can type: "Adobe Photoshop, help me blur the background of this image." ChatGPT then automatically surfaces the app and uses contextual understanding to guide the user through the action. To learn more about how to get started with Adobe apps for ChatGPT, read here.

With Adobe apps for ChatGPT, users can:

  • Easily edit and uplevel images with Adobe Photoshop: Adjust a specific part of an image, fine-tune image settings like brightness, contrast and exposure, and apply creative effects like Glitch and Glow – all while preserving the quality of the image.
  • Create and personalize designs with Adobe Express: Browse Adobe Express’ extensive library of professional designs to find the best one for any moment, fill in the text, replace images, animate designs and iterate on edits – all directly inside the chat and without needing to switch to another app – to create standout content for any occasion.
  • Transform and organize documents with Adobe Acrobat: Edit PDFs directly in the chat, extract text or tables, organize and merge multiple files, compress files and convert them to PDF while keeping formatting and quality intact. Acrobat for ChatGPT also enables people to easily redact sensitive details.

By delivering intuitive actions in ChatGPT, Adobe is expanding access to its most popular apps, reaching new audiences where they already work. For anyone who wants the full power and precision of Adobe’s tools, it’s seamless to move from ChatGPT into Adobe’s native apps and pick up right where they left off.

Pricing and Availability

Photoshop, Adobe Express and Acrobat for ChatGPT are free to ChatGPT users globally and available starting today on ChatGPT desktop, web and iOS. Adobe Express for ChatGPT is also available on Android, with support for Photoshop and Acrobat for ChatGPT on Android coming soon.

Viltrox is adding versatility to the viral fixed-lens camera

Digital Photography Review news -

The Tele Conversion Lens (TCL) gives X100 series photographers a 50mm equivalent focal length.
Image: Viltrox

Viltrox has announced two conversion lenses for the Fujifilm X100 series of cameras. The TCL-X100VI (Tele Conversion Lens) and WCL (Wide Conversion Lens) aim to provide greater flexibility by offering two additional fields of view from the fixed-lens cameras.

Fujifilm's X100 series cameras all feature a fixed, built-in 23mm (35mm equiv) lens. That focal length is relatively versatile, but the single option is inherently limiting. The conversion lenses give Fujifilm X100 users two additional options. The TCL results in 1.4x magnification, effectively turning the lens into a 50mm equivalent. The WCL offers a 0.8x magnification, equivalent to a 28mm lens.

The Wide Conversion Lens (WCL) results in a 28mm equivalent focal length.
Image: Viltrox

Viltrox says that both conversion lenses use professionally engineered optics to prevent any degradation in image quality or light transmission. They feature an optical design comprising five elements in four groups. The TCL benefits from two high-refractive-index elements and one extra-low-dispersion element, while the WCL offers two refractive-index elements. Both use multi-layer nano coatings to reduce vignetting. The TCL accepts filters with a 67mm filter thread, while the WCL uses 49mm filters.

Both the WCL and TCL are available in black and silver.
Image: Viltrox

The conversion lenses are easy to attach, simply screwing onto the camera's built-in lens. Viltrox explained that on fourth-generation and later devices (X100F, X100V, and X100VI), the camera will automatically detect conversion lenses and adjust the appropriate settings, including built-in distortion and vignetting correction. Both the TCL and WCL are available in black and silver and are designed to match the X100's retro look. Both are compact and lightweight, with the TCL weighing 230g (8.1oz) and the WCL 130g (4.6oz).

Fujifilm makes its own conversion lenses for the X100 series (the similarly named WCL-X100 II and TCL-X100 II), which offer the same magnification levels. They both cost $400, though. The Viltrox TCL and WCL are, in keeping with Viltrox standards, more affordable. They are available for purchase today for $189 for the TCL and $159 for the WCL.

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