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Next-gen vaccine prevents up to 88% of multiple aggressive cancers

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A next-generation cancer vaccine has shown stunning results in mice, preventing up to 88% of aggressive and difficult-to-treat cancers by harnessing dual-pathway nanoparticles that train the immune system to recognize and destroy tumor cells.

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Category: Illnesses and conditions, Body and Mind

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Swiss battery toilet cube telescopes at camp for heavenly poops

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Already a name in clean-operating waterless RV toilets, Swiss brand Clesana recently introduced one of the most user-friendly portable off-grid toilets out there. The all-new X1 makes deucing in the woods more convenient than before with a telescopic body that lifts to residential-grade height and a dry flush system that auto-processes waste for easy disposal. It gives other new options like the CompoCloset S1 some serious, comfort-boosting competition.

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Category: Gear, Outdoors

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Green tea trains muscles to handle sugar better and boost metabolism

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Compounds in green tea can reprogram muscle metabolism to boost insulin sensitivity and glucose tolerance, according to new findings that further our understanding of why this ancient drink has long been linked to protection against obesity.

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Category: Diet & Nutrition, Wellness and Healthy Living, Body and Mind

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The Pure Street Photography Awards 2025 celebrate candid moments around the world

Digital Photography Review news -

Pure Street Photography Awards 2025

The winners of the Pure Street Photography Awards 2025 have been announced. David Campany, Creative Director at the International Center of Photography, New York, and Dimpy Bhalotia, founder of Pure Street Photography, award-winning photographer and Creative Director, co-judged this year's contest. The contest organizers said this year was special, explaining it was "a celebration of truth, timing, and the human eye in an age of fast production and artificial imagery."

The 2025 edition of the contest attracted 1,160 submissions across 34 countries, with 147 winning and finalist images selected. The awards will culminate in an exhibition at Jhangir Art Gallery in Mumbai from January 22-27, 2026, which is a first for the competition.

You can learn more about the contest and see additional finalist images at the Pure Street Photography website.

Grand Winner

Photographer: Stefanie Waiblinger

Country of residence: Germany

Image title: Who is Next

About the photograph: The Galata Bridge in Istanbul – a place full of life, tradition and spectacular scenery – became the stage for a very special moment. Against the backdrop of the Istanbul skyline, between mosques and minarets, the bride throws her bouquet into the air – a spontaneous, lively moment full of joy and symbolism.

Photographer biography: My journey into street photography began a few years ago. What initially started as a welcome balance to my profession as an architect quickly became an inexhaustible source of inspiration that has greatly expanded and enriched my awareness and my way of seeing.It beautifully complements my love for traveling and allows me to take an intimate look into worlds that would otherwise remain hidden from me. By capturing the timeless charm of everyday life, I aim to create a special atmosphere and evoke emotion. Since the world is full of colours, I love bringing them to life in my photos, which focus on clear and minimalist composition.

First Place Winner

Photographer: Cazerella Tavs

Country of residence: UK

Image title: Meeting in the Middle

About the photograph: There is always an element of surprise to photography and a thrill in capturing a candid moment that can never be replicated. This was one of those moments. An unexpected standoff in the middle of a quiet rural road, where two cows pause as if negotiating the right of way. It emphasises form, symmetry, and contrast what might otherwise be a fleeting roadside encounter transforms into a playful reflection on standstills, stubbornness, and the gentle comedy of rural life – a reminder that even traffic jams can be charming when left to cows!!

Photographer biography: Born in Ireland, now living in the beautiful New Forest UK. I have always been so passionate about photography, it’s my go to, my escape, my therapy. I very seldom leave the house without my camera (my mum totally inspired me from a v young age to capture the world as I see it). I have a keen eye for different perspectives, unscripted moments that can reflect the beauty, bold, emotional rhythm of everyday life. I see the streets as an ever evolving stage with no script, full of character, spontaneity, candid moments/chaotic moments and pure stillness and I am always inspired to capture a snippet of those moments in time. Photography is a form of art, expression and a pure joy.

Second Place Winner

Photographer: Chris Yan

Country of residence: China

Image title: Mirror

About the photograph: his photo was taken in a market in Beijing. Two girls passed by me on an electric bike. One of the girls was holding a large mirror, and her figure was reflected in the mirror. The figure in the mirror merged with the girl in front, which looked very interesting.

Photographer biography: Chris Yan, photographer, Creative Director, was born in Beijing, China in 1981. After graduating from Communication University of China with a degree in art and design, he began to work in international advertising agencies. In 2013 he founded his own company, focusing on commercial design and art creation, and began photography. He mainly explores human stories and street photography, photographing across different countries for the past ten years. He currently lives and works in Beijing.

Third Place Winner

Photographer: Nicole Prüm

Country of residence: Germany

Image title: Phantom of the Past

About the photograph: This shot was taken spontaneously during a walk through New York City 2023. It captures a figure whose profile and attire–fedora and suit–immediately call to mind the appearance of Al Capone. The actual humour lies in the pure chance of the moment: the classic, historical allusion stands directly in front of a modern NYPD Police SUV in the background. The irony of this scene–the unprompted confrontation between the spirit of Prohibition and today’s street police–is what defines the image. It is a quiet, humorous moment of street photography that transports a historical jest into the present day.

Photographer biography: My name is Nicole Prüm. Since 2017, I have been dedicating myself intensively to my passion for photography and have pursued it professionally alongside my main occupation. I work part-time as a physiotherapist. My artistic work focuses on black-and-white photography, with the human figure always at the center in various environments. I am particularly fascinated by photographic compositions that can be read metaphorically and tell visual stories. The main themes of my work are "people in geometry" and "classic street photography.

Finalist

Photographer: Adriana Palermo

Country of residence: Switzerland

Image title: Team work

About the photograph: I took this photo during a trip to Kerala, on an early morning in February 2025. The fishermen were getting ready to pull in their nets – a task that requires both strength and coordination, and one that left a strong impression on me. Over the course of two hours, I took more than 800 shots, trying to capture the complexity and beauty of that moment. This image is the one I feel works best: it conveys the balance between order and chaos, between collective effort and individual strain. The details – the ropes, the waves, the crow, the flamingos in the background – reflect the visual and symbolic richness of a daily scene, turning it into a story. I have a deep connection to this photo: it reminds me of the power of simple gestures, and how working together always leads to meaningful results.

Finalist

Photographer: Anjali Bist

Country of residence: India

Image title: Burning in light

About the photograph: Captured during Dussehra in Dehradun, 2018 – the moment I realized photography was the path I wanted to walk. This image quietly rested in my archives for eight years, waiting to remind me where it all began.

Finalist

Photographer: Anna Marzia Soria

Country of residence: Italy

Image title: Beyond the wall

About the photograph: Beyond the wall, the gaze opens to the balance of new horizons. The mind seeks the beauty of the other that appears on our path. The heart goes beyond boundaries in search of fragile humanity, towards shades of blue in a meeting of peace.

Finalist

Photographer: Bjoern Maletz

Country of residence: Germany

Image title: Rabbits don’t eat bananas

About the photograph: This photo I took in May this year during the Lightleaks Photo Festival in Luxembourg City. As I am always on the lookout for unusual things or little stories in cities, I was initially interested in the funny rabbit backpack, then I saw the bananas and, luckily for me, the arm that didn’t match the rest appeared. That was reason enough for me to press the shutter button for a funny street photo. By the way, rabbits should only be given small amounts of bananas because they don’t tolerate them very well due to their high sugar and starch content.

Finalist

Photographer: Cristiano Bartoli

Country of residence: Italy

Image title: Kite Attack

About the photograph: This photo was taken this years at the Kite Festival in Cervia, Italy. I found the child’s expression funny because it resembles that of the kite. They are very similar.

Finalist

Photographer: Eric Davidove

Country of residence: USA

Image title: The Good, The Bad, The Ugly

About the photograph: I visited the Flea Market for the first time about 14 years ago and did not return again until the end of 2024. That was when I learned about its uncertain fate and decided to attend more regularly to take photos. This photograph is part of a series called The Last Bargain, which contains candid moments that risk being lost in the name of progress.

Finalist

Photographer: France Leclerc

Country of residence: USA

Image title: Head Ball

About the photograph: In a lively neighborhood of Lalitpur, Nepal, children play football with boundless joy. Nearby, an older woman watches them, taking in the scene’s energy. I join her in quiet observation, camera in hand, keeping my distance. Suddenly, the ball veers off course–hurtling straight toward her. The kids freeze, gasping in horror. Ouch! But luckily, no harm was done despite the hit, except perhaps to pride.

Finalist

Photographer: Gavin Libotte

Country of residence: Australia

Image title: Desdemona

About the photograph: I noticed a person posing to have their photo taken and they were lit up by a beam of sunlight. I immediately ran over to the scene and framed the subject in the opera house sail. There was a group of three people in the background which gave a new perspective to the layering. They started dancing around which really helped build drama. I took a few shots for about 30 seconds. When people are engaged in an activity they don’t notice you. This technique of focusing on the audience has been developed by Martin Parr and provides a wonderful insight into a world that we usually don’t notice. When I shoot street, I prefer the 28mm. I am constantly developing my technique to get closer to subjects and still remain unnoticed, trying not to disturb people or the scene. The 28mm lets me fit more elements into the frame. I did a workshop with Julia Coddington on this technique. She is one of the best Australian Street photographers currently practicing.

Finalist

Photographer: Gerd Bonse

Country of residence: Germany

Image title: Benchresting

About the photograph: The photo was taken in Cologne, Germany. I was captivated by the contrast between the two couples. On one side, the colorful McDonald's commercial with the relaxed and fun couple. Close by, the contrast of the dark-clad, serious-looking couple, who are expressionless and don't communicate with each other.

Finalist

Photographer: Gongbu Han

Country of residence: Netherlands

Image title: Haha Nice Shot

About the photograph: It was in Heldenplatz, a monumental, photogenic location in Vienna. Every visitor there would not hesitate to ‘generate a photo’, mostly with their phones. This lady’s shiny reflective phone took place of her eyes, which were fully shadowed by the phone.

Finalist

Photographer: Irina Ebralidze

Country of residence: Finland

Image title: Friends

About the photograph: I photographed these women and their dog in the park. I like capturing moments that hold a story behind them. Everyday life is full of seemingly simple situations that, when you look closer, can feel a bit surreal or even absurd. These are brief moments when reality quietly shifts – through an unexpected contrast or a chance interaction.

Finalist

Photographer: Jaejoon Ha

Country of residence: South Korea

Image title: Hide and seek

About the photograph: I always try to capture natural moments and the emotions they evoke in my photos! My favorite place to work is Domino Park in Williamsburg, Brooklyn! Whenever I walk along the path, I see the playground from above, the bright smiles of children, and the loving faces of their parents! In fact, a positive perspective is important in my photos. I always try to capture a bright perspective as naturally as possible. My mother always loved and was curious about my photography, and she also supported me. She was the only one who cheered me on when I was going through a hard time. My mother was very ill and passed away in August of this year after nearly 10 years of treatment. I’m so sad, and I’m so grateful for her love! When I heard the news in New York, I immediately returned to Korea to see her one last time and say goodbye. I want to tell her how grateful I am and how much I love her!

Finalist

Photographer: Jepin Krishna

Country of residence: India

Image title: The Sacred Collective

About the photograph: 'Pandharpur Wari', a 21 day annual holy pilgrimage in Maharashtra, India wherein a sea of devotees walk barefoot and move as one along the 250 km route. The collective singing, dancing, and chanting by devotees looked like a timeless painting in colours of devotion and joy. I wanted to share this vibrant celebration, not just as a ritual, but as a breathing story of devotion passed down through generations that serves as a powerful reminder of cultural richness and human connection.

Finalist

Photographer: Jignesh Chavda

Country of residence: India

Image title: Thoughts take flight

About the photograph: Holy smoke! An old man smoking as a flock of birds passes by. I took this picture of old man by the river side where there are many birds come to feed and I was walking at the river side walk. As my habit of observation I saw an old man with cigarette and thought that if I make such frames that inspires me not just a wonderful frame in creative way but as an artist, it's seeing how a common material can be shaped into an unexpected form. This inspires a focus on minimalism and impact.The most striking element is how the smoke transforms into a flock of birds that means it to me in this frame. This suggests a sense of internal thought, longing, or desire for freedom literally taking wing. I like the high-contrast, stark black and white, along with the vast, empty white space, creates a powerful sense of the man being alone against a huge, empty backdrop. The man's rugged look, combined with his solid silhouette against the bright, overwhelming light. Also I like the way, He isn't engaging with the viewer or anything else; he is focused entirely inward, or simply observing the world. I used my Sony a6000 / 55-210 camera for this image

Finalist

Photographer: Liliana Ranalletta

Country of residence: Italy

Image title: A deity of the sea

About the photograph: At dawn on the final day of Kumbh Mela 2025 in Varanasi, during Maha Shivratri–the day when Shiva is said to have performed the Tandava, the cosmic dance of creation and destruction–a sadhu stands in the Ganges, eyes closed, arms lifted in prayer. Behind him, a small boat drifts by, its passengers watching, as if drawn into his invocation. For an instant, he seems to carry their weight too, gathering them into his offering. In that moment, it felt as if the river, the light, and the act of faith were all part of the same breath.

Finalist

Photographer: Mariana Basurto

Country of residence: USA

Image title: A Twin Gaze at the Pas

About the photograph: As the sun began to set over Havana, the streets emptied, leaving behind the echo of laughter and distant music. From a nearby house, joyful sounds drifted out – family and friends celebrating the birthday of a loved one who had passed away, choosing to honor their memory through life and rhythm. In that moment, two young twins, dressed in red, stood in the quiet street – one gazing into the distance, the other connecting with a woman – embodying the bittersweet beauty of remembrance, joy, and continuity that defines Cuba’s soul.

Finalist

Photographer: Marika Poquet

Country of residence: United Arab Emirates

Image title: Harbour of Hustle

About the photograph: I have been to many crowded places in India, but nothing had prepared me for the chaos of Sassoon Docks. It’s one of the craziest places I have ever seen. From the moment you arrive, all your senses are immediately activated. The noise is constant and deafening: fishermen shouting, auctioneers calling out prices, vendors bargaining; birds chirping as they circle above, boats rumbling in the distance. The strong smell of fish hits your nose. I found myself constantly on alert, startled by the Koli fisherwomen weaving swiftly through the crowd, and carts and people rushing past from all directions. It was a real exercise just to avoid stepping into a fishy puddle or slipping on a stray fish. Visually, the place is just as overwhelming. Bright colors are everywhere, from fishing boats to crates to clothes of the Koli fisherwomen. Trying to make sense of this chaos with my camera was a real challenge!

Finalist

Photographer: Mona Singh

Country of residence: India

Image title: Secret lives

About the photograph: At first glance it may seem like a simple moment, children wearing masks as if in play. But there was no festival. They were selling those masks at a busy traffic signal their faces hidden their expressions unseen. The masks weren’t for fun..they were for survival. A silent reminder of a childhood lived in shadows.

Finalist

Photographer: Shreenivas Yenni

Country of residence: India

Image title: Between Light and Motion

About the photograph: I captured this photograph in Hampi as the sun was setting. I was drawn to how the fading light touched the moving silhouettes, creating a quiet sense of peace and timelessness. To me, this moment reflects how beauty often reveals itself in simple movements and fleeting light.

Extreme-terrain camper mellows wrathful wilds with obsessive detail

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The latest model in Australia's market of hardwearing truck canopy-style camper trailers, the all-new Mosfab Cosmos has a standout layout that separates it from the campground pack. Every hatch is split into a series of storage cubbies, drawers and slide-outs that give each and every piece of provisioning a dedicated place to call home. Spend about three minutes popping doors, pitching the tent and unfurling the awning, and you'll turn any sun-scorched patch of earth into a welcoming off-road retreat complete with heated tent, staircase, dual-fridge gourmet galley and hotel-grade coffee station.

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Category: Camping Trailers, Adventure Vehicles, Outdoors

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The ‘loser effect’ reveals the unique way our brains learn from defeat

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We've all experienced defeat at some point – losing a game, a potential new job, a debate. Now, a new study has found that the brain may learn from losing to others, with a specific group of neurons tied to defeat that then changes our future behavior.

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Category: Biology, Science

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DxO introduces Premium Support with 24/7 expert help for photographers

Digital Photography Review news -

Image: DXO

DxO has announced a new subscription service called Premium Support, designed to give photographers priority access to technical support. The program offers direct contact with DxO experts 24 hours a day, seven days a week, including holidays.

The company says the service was created with working professionals in mind, especially those who often face tight deadlines and unpredictable schedules. DxO's head of customer support, Frédéric Baclet, cites two common examples: wedding photographers who may need to process thousands of images overnight, or photojournalists in the field who are expected to edit and deliver photos on deadline.

Subscribers to Premium Support get priority in the support queue, with faster response times and one-on-one assistance from DxO specialists. The service covers all of DxO’s software, including PhotoLab for RAW processing and noise reduction, ViewPoint for precision geometric correction, and FilmPack for recreating the look of analog film stocks. It also extends to DxO plug-ins for Adobe Photoshop and Lightroom, ensuring help is available across different editing environments.

Beyond troubleshooting, Premium Support also includes guidance for installation, configuration, and advanced use cases. DxO says the offering is not limited to professionals; advanced amateurs who prefer editing outside of standard business hours may also benefit from always-on access to help.

Premium Support could offer an extra layer of assurance for working photographers who depend on uninterrupted workflows. With fast-tracked responses and expert guidance, DxO is positioning the new program as a safety net for those who can’t afford delays in their editing pipeline.

DxO Premium Support is available now through the company's website, with three subscription options available: three months for $34.99 (29.99 € / £24.99), six months for $59.99 (49.99 € / £44.99) and twelve months for $99.99 (89.99 € / £79.99).

DxO launches Premium Support: 24/7/365 priority access and expert help for professional photographers

Designed for professionals who can’t afford to wait, this new service is immediately available in 3, 6, or 12-month plans.

Paris, France: DxO, a world leader in photo editing software, today announced the launch of DxO Premium Support, a new service designed to give professional photographers priority access to DxO experts whenever they need help.

“Professional photographers often work under intense time constraints, including
nights and weekends,” explains Frédéric Baclet, Head of Customer Support. “For
For example, wedding photographers need to finalize hundreds or thousands of images
before the next morning's delivery, or photojournalists edit images on deadline in the
field. For professionals who cannot afford downtime, DxO now offers around-the--
clock expert support, 365 days a year.”

DxO Premium Support is structured to meet the operational constraints of professionals and advanced amateurs whose activity extends beyond standard office hours. The service includes:

  • 24/7/365 priority access to DxO experts — ensuring availability at any time of
    day or night.
  • Accelerated response times — with requests systematically handled ahead of
    standard tickets.
  • Personalized support — covering installation, configuration, and advanced use
    cases, adapted to individual workflows.
Price and availability

DxO Premium Support is available immediately from the DxO website (shop.dxo.com):

  • 3 months – $34.99 / 29.99 € / £24.99
  • 6 months – $59.99 / 49.99 € / £44.99
  • 12 months – $99.99 / 89.99 € / £79.99

Question of the week: What is your favorite camera store?

Digital Photography Review news -

Image: MirageC / Moment via Getty Images

Welcome back to our Question of the Week series, where we invite you – our passionate community – to share your thoughts on a photography-related topic in the forum!

So far, we've heard your insights on camera and lens buying advice, your takes on smartphone cameras, and even debated controversial gear choices. This week, we're shifting the focus from gear to the people and places that fuel our photography: local camera and digital photography stores.

What is your favorite local camera or digital photography store?

DPReview Community Manager, Mathew Anderson, visiting his local shop (Houston Camera Exchange) in Houston, TX, USA.
Photo: Mathew Anderson

Whether it's a shop packed with vintage gems (share your finds!), a place with knowledgeable staff who steer you right or simply a like-minded hangout spot, tell us about the local camera store that holds a special place in your heart. Maybe you found your dream camera there, built your lens collection or just love the chance to hang out with fellow photographers and tech geeks.

We want to know:
  • What makes your favorite store stand out?
  • Any memorable experiences? Surprising finds? Unique services?
  • Where is it located?
  • Overall, what keeps you wanting to go back?

Share your story with the community. Head over to the post in the Open Talk forum to join the conversation. You can also share your experiences on social media using the hashtags #DPReview and #DigitalPhotography. From the forums to social media, we'll select at least five responses by next Monday and share them in an article update.

Let's celebrate and support the local shops that are at the heart of our digital photography journeys!

Click here to answer the Question of the week

Prime Day deals on cameras, lenses and accessories actually worth checking out

Digital Photography Review news -

Amazon's Big Deal Days, the company's second shopping holiday of the year, is underway. The deals run through October 8, with discounts across any category you could imagine. Some of these discounts just bring things back down to pre-tariff prices for those in the US, but it's still savings that you wouldn't otherwise get right now. Regardless, we won't bombard you with deal-related content over the next two days. Instead, we will just be sharing some of the things we would actually recommend buying right now.

Deals on Sony gear Image: Sony

Sony is participating in Big Deal Days this year, but the discounts are also available on Sony's website if you don't want to shop at Amazon.

Sony a7R V $3800 (10% off)

Sony a7 IV $2200 (19% off)

Sony a6400 $1000 (9% off)

Sony ZV-E10 II $1100 (8% off)

Sony FX30 $1800 (14% off)

Sony FE 24-70 mm F2.8 G Master $1600 (11% off)

Sony FE 50mm F1.4 GM $1350 (7% off)

Sony FE 24-105mm F4 G OSS $1200 (14% off)

Deals on Canon cameras Image: Canon

Canon EOS R50 with RF-S18-45mm F4.5-6.3 IS STM Lens $800 (18% off)

Canon EOS R7 $1289 ($19% off)

Nikon camera and lens deals Image: Nikon

Nikon Z5 II with 24-200mm Lens $2497 (6% off)

Nikon Nikkor Z 35mm F1.4 $578 (15% off)

Nikon Nikkor Z 35mm F1.8 S $747 (17% off)

Nikon Nikkor Z 50mm F1.4 $497 (17% off)

Panasonic camera deals Image: Panasonic

Panasonic Lumix S5II $1498 (25% off)

Panasonic Lumix S5IIX with 20-60mm F3.5-5.6 + 50mm F1.8 Lenses $2298 (22% off)

Panasonic Lumix 85mm f/1.8 S Series Lens $448 (31% off)

Panasonic Leica DG Vario-Elmarit 12-60mm F2.8-4.0 ASPH Power OIS $948 (10% off)

Additional camera brands Image: GoPro

GoPro Hero13 Black Ultra Wide Edition $330 (31% off)

Polaroid Now 3rd Generation I-Type Instant Camera $136 (15% off)

Miscellaneous accessories Image: Lexar

There are also some savings to be had beyond cameras and lenses, of course. Below is a small selection of accessories that could be worth picking up when on sale.

Datacolor LightColor Meter $298 (15% off)

Neewer 67mm Variable ND Filter ND2-ND400 (1-9 Stops) $21 (20% off)

Neewer 67mm UV/CPL/ND Lens Filter Kit with Hard Shell Storage Case $20 (15% off)

MagicFiber Microfiber Cleaning Cloth $10 (37% off)

SanDisk 256GB Extreme SDXC UHS-I Memory Card $26 (27% off)

SanDisk 512GB Extreme Pro CFexpress Card Type B $120 (24% off)

Lexar 1TB Professional CFexpress Type B Silver 4.0 Memory Card $250 (23%)

Lexar 128GB (2-PK) Professional Silver Pro SD Card $52 (35% off)

PNY 256GB EliteX-Pro60 UHS-II SDXC Memory Card $38 (40% off)

The Best cameras under $1000 in late 2025

Digital Photography Review news -

When you use DPReview links to buy products, the site may earn a commission. Updated October 8, 2025

$1000 might sound like a lot of money for a camera, but it's probably the least we'd recommend spending if you want to go beyond phone photography, especially as photography equipment is steadily getting more expensive. The picks on this list will give you more control than a phone and offer a more satisfying photographic experience.

At this price point, your options will be entry-level interchangeable lens cameras or larger-sensor compact cameras with built-in lenses. Compacts offer more control than a phone and a greater zoom range, but likely won't offer a huge jump in image quality compared to the latest flagship phones (despite their typically larger sensors).

Meanwhile, an interchangeable lens camera won't be as easy to carry around and comes with the added expense of lenses. However, they can make you feel even more involved in the photographic process, and the flexibility of swappable lenses will let you learn and grow into different types of photography as you develop your passion. They also feature much larger sensors than phones and the majority of compacts.

It's worth noting that camera makers sometimes assume that beginners will stick with the basic 'kit' zoom that comes with the camera, so it's worth checking whether a good selection of lenses is available (at a price you're willing to spend) before deciding which brand's system to buy into.

Our recommendations: Best camera under $1000: Canon EOS R10

24MP Dual Pixel APS-C CMOS sensor | 4K/30p video (60p with crop) | 15fps shooting (23fps with e-shutter)

Photo: Shaminder Dulai What we like:
  • Capable stills and video camera
  • Simple, effective AF in stills
  • Relatively easy-to-use
What we don't:
  • Video autofocus is less effective than stills
  • Mediocre battery life
  • Few sensible RF lens choices
The Canon EOS R10 is a 24MP mid-level APS-C mirrorless camera for stills and video shooting.

There are a few things that earn it the top spot on this list. The first is its stand-out usability, with dual top-plate dials for controlling exposure settings and a joystick to control its very capable autofocus system. It also has a decent selection of lenses; third parties like Sigma and Tamron have stepped in to round out the selection of primes and higher-end zoom lenses available for it, so you have several good options for moving beyond the kit lens that came with it, something that isn't necessarily true with Nikon's system.

The R10 has a powerful AF tracking system with subject recognition that makes it especially good at focusing on people, animals and vehicles. We found it both easy to use and effective. 15fps shooting with the mechanical shutter is good, though the buffer is limited. "The EOS R10 is an approachable, capable option for stills and video" The R10 has a relatively small body but finds room for two command dials. Most key settings can be accessed through the Q menu, making it easy to access the camera's core functions. The R10 can shoot 4K video at up to 60p with a crop, or 30p using its full sensor width. The footage isn't the most detailed but, as in stills mode, there's the option to shoot footage for HDR TVs. Autofocus isn't as dependable as it is in stills mode.

Overall, the EOS R10 is a very capable camera for its price point, and offers a lot of room to grow for those starting out in photography, especially now that there's a reasonable selection of APS-C lenses for it.

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While we much prefer the higher level of control that the EOS R10 provides, the less expensive Canon EOS R50 may also be worth a look if you're extremely budget-conscious but still want to stay in the Canon ecosystem. It has fewer control points – most notably, it misses out on the EOS R10's joystick – and it loses out on features such as 4K/60p video capture and an articulating display, but it's still pretty capable.

We don't recommend the cheaper still EOS R100. It's based on a previous generation of technology, so it's slower and has less sophisticated autofocus.

The better performer: Nikon Z50II

20.9MP APS-C sensor | Subject recognition AF | Full-width 4K video up to 30p

Photo courtesy Nikon What we like:
  • Twin command dials
  • Simple tracking AF w/ subject recognition
  • Strong video specs
What we don't:
  • Weak battery life
  • Limited zoom lens selection
  • Non-stabilized sensor limits video
The Nikon Z50II is an entry-level APS-C mirrorless camera, built around a 21MP CMOS sensor. It features Nikon's '3D tracking' autofocus system, and can recognize nine subject types.

The Z50II makes a case for being the best pick for beginners, thanks to a simple and mostly reliable AF system with automatic subject detection. However, while plenty of prime lenses are available, Nikon has not yet allowed any bright zooms, limiting your upgrade options compared with its rivals.

It has a solid grip, twin top-plate control dials, and a wide variety of customizable buttons, including one that, by default, controls color mode. Focusing is handled using the touchscreen or four-way controller. The Z50II delivers on the basics without breaking the bank. Autofocus is very good with subject detection being especially good. However, human detection doesn't seem as sticky and 3D Tracking isn't as dependable as on Nikon's higher-end models. Otherwise, the camera is snappy and can even do 30fps pre-capture, though it's JPEG only. The Z50II can shoot Log or HLG video and has a waveform monitor to help set correct exposure. A headphone socket helps maintain audio quality but the lack of in-body stabilization counts against its use for video. The Z50II is a solid hybrid camera, with several features from Nikon's higher-end cameras. The lack of a stabilized sensor is the one mark against what are otherwise very good video specs, and you may find the lens selection limited if you want a camera to grow with you. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. What about the Z fc?

Nikon's Z fc is a stylish camera based on the original Z50, which means it has the same sensor as the Z50II. We like it a lot, but the autofocus on the Z50II is such a marked improvement that it's hard to recommend picking up a Z fc at this point – you can read our full comparison between the two cameras here. If you have a strong attachment to the Z fc's aesthetics, your best option is probably holding off for a bit to see if Nikon updates the Z fc. If that's not an option, see if you can get it on sale or used.

The affordable kit: Sony a6100

24MP APS-C sensor | Hybrid AF with Real-time Tracking | 4K video capture

The Sony a6100 offers a lot of power in a compact, well-priced body. The 16-50mm power zoom isn't the best, though.

Photo: Richard Butler

What we like:
  • Excellent autofocus system
  • 4K/30p video recording
  • Tilting touchscreen LCD
What we don't:
  • Less robust build quality
  • Rolling shutter 'jello effect' present in 4K video
  • Crop when recording 4K/30p video
The Sony a6100 is an entry-level APS-C mirrorless camera. It has a compact body and a 24MP sensor.

It was a very capable and affordable camera when it was launched several years ago, offering some of the best autofocus around and a wide selection of lenses. The latter part is still an advantage, but many competitors' autofocus systems are now on par with the a6100's. However, it's still worth considering if you want to get both a camera body and a decent prime lens for under $1,000.

The a6100 is the most basic model in the a6000-series and doesn't feel quite as robust as its step-up siblings. It offers a lower-resolution electronic viewfinder, and control dials that are both thumb-operated. Its touchscreen flips upward 180-degrees for easy selfie framing and vlogging. It also uses Sony's old menu system, which can be a chore to work with.

"The a6100's autofocus can effortlessly track whatever you point it at" Sony's autofocus system has been trained to recognize people and pets as subjects, and will follow them flawlessly throughout the frame. Coupled with the ability to touch the screen to place a focus point, it's a system that will serve beginner users very well, whatever they're shooting. The a6100 makes it easy to record 4K footage or slow-motion 1080 video. There's a socket to connect an external mic but no way to connect headphones for monitoring. It can be set up for tap-to-track autofocus in video, too. There's significant 'jello-effect' distortion in the 4K footage though, especially in 24p mode. The a6100 is a good entry-level camera with a very powerful, easy-to-use autofocus system. We're not huge fans of the kit zoom and the interface isn't especially welcoming, but with a few settings changes, it can help you get excellent shots, easily. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Best compact camera under $1000: Canon G7X III

20MP Type 1 Stacked CMOS sensor | 24-100mm equiv. F1.8-2.8 lens | 4K/30p video capture

The PowerShot G7X III can deliver excellent image quality, backed up by good (though not great) autofocus

Buy now:

$1093 at Amazon.com What we like:
  • Nice grip and well-placed controls
  • 4K/30p recording with live streaming to YouTube
  • Fast burst shooting
What we don't:
  • Lens is soft at wide-angle
  • Limited battery life
  • Contrast-detect only autofocus

The Canon PowerShot G7X III is the last in what used to be a popular style: the pocketable enthusiast photographers' compact, with a relatively large Type 1 20MP sensor and bright zoom lens. Canon has added features to make it more vlogging-friendly, but the clicking control wheel gives a satisfying, hands-on shooting experience.

A note on availability: the PowerShot G7X III has been difficult to get for a while, but Canon has recently stated that it's starting production back up and is working on filling backorders. Still, getting your hands on one may require some patience.

The G7 X III can't focus continuously as fast as the best models in its class, and it can't track subjects around the frame while shooting bursts. If you follow your subject yourself, you get a not-too-shabby 8.3 fps with a single autofocus area. There's a 30 fps Raw burst mode, though focus is locked. In general use, the G7 X III is very responsive, though battery life is on the short side. "If you're after a pocketable high-quality compact, the Canon G7 X Mark III is well worth a look" It has two top-plate control dials and a focus control joystick, but no four-way controller. It also features the company's film simulation dial for controlling the color profile. Overall, we're impressed by the upgrades on this model. The Mark III brings improved video and continuous shooting performance while maintaining excellent controls and a competitive price point. If you do a lot of wide-angle shooting, there are options with better lenses, but if you're after a pocketable high-quality compact, the Canon G7 X Mark III is well worth a look. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Best camera for content creation: Fujifilm X-M5

26MP APS-C BSI CMOS sensor | Fully articulated 3" LCD | 6.2K 3:2 video up to 30p

What we like:
  • Great JPEG colors with dedicated dial
  • Solid selection of vlogging features and UI
  • Good level of direct control
What we don't:
  • No viewfinder
  • AF tracking performance isn't the strongest
  • Unstabilized sensor
The Fujifilm X-M5 is based around an APS-C 26MP X-Trans sensor, and equipped with AI-powered subject detection autofocus.

It's aimed at creators taking pictures and video for the web, with a suite of vlogging features that let you shoot video that's ready to upload as soon as you transfer it to your phone. It also has a dial for easily switching between 'Film Simulations,' Fujifilm's much-loved color modes, and the full suite of stills features from larger, more expensive models – minus a viewfinder. Its support for X-mount lenses also gives you access to the most complete range of APS-C lenses, no matter what journey you're on.

Fujifilm's autofocus can recognize and accurately track several subject types, but overall its autofocus isn't as swift or reliable as its rivals and its general subject tracking isn't as dependable. The X-M5's stills mode is among the most competent in vlogging-focused cameras It has two top-plate control dials and a focus control joystick, but no four-way controller. It also features the company's film simulation dial for controlling the color profile. The X-M5 can shoot up to 6.2K open-gate footage, which can be cropped for sharing on multiple platforms. Many of its video modes, such as 4K 60p, lighter-weight 4K LP mode, and electronic stabilization modes, come with a substantial crop. If you're looking for a camera to take pictures and videos for social media, the X-M5 is worth your consideration. It has an attractive design, great image quality in stills and video, and engaging controls, though its autofocus doesn't match the best of its peers. Sample galleryThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. What if I only vlog?

If you plan to shoot more videos than photos, it's worth considering the Canon PowerShot V1. It's a compact camera built for vlogging with its integrated 16-50mm equiv. F2.8-4.5 lens, large (for a compact) Type 1.4 (18.4 x 12.3mm) sensor, complete with optical image stabilization and an ND filter. While we don't think it offers an especially enjoyable photography experience, features like a built-in fan for cooling, headphone and microphone ports, very usable stabilization and the ability to shoot 4K60p with a 1.4x crop make it a quite powerful video camera for its size.

If you only care about vlogging, and want an even more pocketable option, the DJI Osmo Pocket 3 comes in under $1000 and can't be beat when it comes to stabilization thanks to its built-in gimbal. That, and the ability to sync with DJI's wireless microphones, earn it the top spot in our dedicated vlogging buying guide.

Why you should trust us

This buying guide is based on cameras used and tested by DPReview's editorial team. We don't select a camera until we've used it enough to be confident in recommending it, usually after our extensive review process. The selections are purely a reflection of which cameras we believe to be best: there are no financial incentives for us to select one model or brand over another.

Natural sweetener found to turbocharge baldness treatment

Gizmag news -

While the topical application of minoxidil is one of the most effective and popular ways to combat male pattern baldness, it is poorly absorbed by the skin. Looking to improve its efficacy, researchers have turned to an unlikely but very sweet ally.

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