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The 2025 Astrophotography contest reveals dramatic scenes of cosmic wonders

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2025 Astrophotography Prize

The 2025 Astrophotography Prize winners have been announced, highlighting spectacular images of celestial objects and phenomena. The global contest is dedicated to education and "raising the standard of astrophotography for all entrants," and offers a unique judging and scoring system.

The global contest features four categories: Remote Imaging, Deep Space, Solar System and Astro Landscape. Three specialist astrophotographers scored each entry out of 100. Then, the top 25 in each category were debated and re-scored in a live, public finale. The Astrophotography Prize says that the "transparent process offers unmatched insight into the secrets behind award winning composition, technical excellence, and creative impact, inspiring participants and viewers alike."

This year attracted 545 entries from 35 countries. The judging panel featured 20 astrophotographers from the United States, the United Kingdom, France, Germany, Thailand, Singapore, New Zealand, and Australia. You can watch the judging replays for each category on the contest website.

Photographer of the Year & Remote Imaging Winner

Photographer: Ani Shastri

Title: Deep Field Squid Nebula (Ou4)

Location: SRO Auberry, CA

Equipment: PlaneWave CDK350, ZWO ASI6200MM, Chroma SHO

Exposure: Ha: 84x600s, Oiii: 171x600s, Sii: 54x600s

Total integration time: 51.50 hours

Details: A breathtaking image of a nebula six times the size of the full moon. Captured over 51 hours at Sierra Remote Observatories in California with a PlaneWave CDK350 and ZWO ASI6200MM camera, the photograph captivated the judges for its scale and precision.

Remote Imaging Runner Up

Photographer: Steeve Body

Location: Swan Reach, South Australia

Equipment: Player One Zeus-M Pro, FSQ-106EDX4 + 0.72× QE reducer @f/3.6, Antlia LRGB + 3nm SHO filters

Exposure: LRGB 150x300s each, SHO, 150x1200s each

Total integration time: 200h

Entrant statement: A naturalistic widefield view of Vela, colour-enhanced using narrowband mapping: Hα to red, O III to blue, and S II to yellow.

Remote Imaging Top 5

Photographer: Alpha Zhang

Location: Chile, DeepSkyChile

Equipment: Moravian G4-16000, Takahashi FSQ106EDX III, Astrodon LRGB Gen2 HaSIIOIII 5nm, TAK 0.72x Reducer 645RD

Exposure: 2Panels Mosaic, Lum 80×900s=20h, RGB 40×900s each=30h, Ha 120×900s=30h, SII 120×900s=30h, OIII 160×900s=40h

Total integration time: 150h

Entrant statement: Rosette blooms like a rainbow flower, Christmas Tree rises in radiant glow; together they weave romance and wonder, cosmic colors flowing through endless night’s embrace.

Remote Imaging Top 5

Photographer: Jan Beckmann

Location: Trevinca, Spain

Equipment: TS ONTC8 200/800 Astrograph, iOptron CEM70G, ZWO ASI2600m

Exposure: L: 87 x 300 s R: 61 x 300 s G: 30 x 300 s B: 30 x 300 s Ha: 360 x 300 s

Total integration time: 47.3h

Entrant statement: Sh2 126 the Lacerta (Gecko) is a striking dark nebula located in the constellation Lacerta, known for its intricate structures and surrounding Halpha emission clouds.

Remote Imaging Top 5

Photographer: Alpha Zhang

Location: Chile, DeepSkyChile; SiChuan China

Equipment: Moravian G4-16000, Takahashi FSQ106EDX III, Astrodon LRGB Gen2 HaSIIOIII 5nm, TAK 0.72x Reducer 645RD

Exposure: 10m/15m subs per channel: L57/31 R28/16 G23/16 B30/16 Ha139/32 SII151/32 OIII186/34

Total integration time: L17h15m; R8h40m; G7h50m; B9h00m ;Ha31h10m; S233h10m; O339h30m; Tot146h35m

Entrant statement: Spaghetti Nebula threads glow like electric veins, blue-green filaments weaving through dust, a luminous tapestry softly whispering endurance, sorrow, and the beauty of hidden light.

2025 Celestron Prize Winner & Solar System Winner

Photographer: Alessandro Ravegnin

Title: Magnetic Shadow

Location: Romano d'Ezzelino, Italy

Equipment: C11HD Edge f/10 + Baader Astrosolar + Optolong Red filter + ZWO ASI183MM

Exposure: Stacking of 300x10ms

Total integration time: N/A

Entrant statement: "Magnetic Shadow", AR370, one of the most beautiful sunspot groups of this solar cycle, captured with good seeing (0.5" resolution)

Solar System Runner Up

Photographer: Damir Maksan

Location: Williamsdale, NSW

Equipment: Sony a6400 camera mounted on a Meade LX-90 telescope

Exposure: 1/2000th second, ISO 500, 7 frames

Total integration time: N/A

Entrant statement: The International Space Station, captured with a telescope, transiting the moon travelling at 26,000 km/h. The crossing happened in 1/2 second.

Solar System Top 5

Photographer: Dan Bartlett

Location: June Lake, California

Equipment: asi2600 mcPro, Celestron C14 SCT, Hyperstar

Exposure: 26 x 30seconds

Total integration time: 0.217

Entrant statement: On 2024-04-01 the sky cleared enough to allow 13 minutes of imaging time on 12P/ Pons-Brooks. The solar activity has taken its toll.

Solar System Top 5

Photographer: Łukasz Remkowicz

Location: Russellville, Arkansas

Equipment: Canon EOS R, Canon RF 100-500 @500mm, ZWO Am3, ASIAIR,, ASIAIR

Exposure: 9 x 4 frames each) on: 1/200, 1/100, 1/50, 1/25, 1/13, 1/6, 0.3, 0.6, 1.3 seconds

Total integration time: About 0.0028h

Entrant statement: Total solar eclipse in Ruseville, Arkansas in 2024, showing the solar corona and the Moon’s earthshine.

Solar System Top 5

Photographer: Lóránd Fényes

Location: Hungary, Balatonalmadi

Equipment: Player One Ares-M Pro, DIY 400/1820, IR-Pass filter

Exposure: 4 x 500 frames frames

Total integration time: 15 minutes

Entrant statement: Crescent Moon IR mosiac

Deep Space Winner

Photographer: Paul Milvain

Title: The Southern Cross Aflame

Location: Forbes, Victoria

Equipment: ZWO ASI2600MM Pro, Stellarvue SVX80T-3SV telescope, Astronomik deep sky RGB-HA filters

Exposure: 440 X 120 Second each R-G-B, 450 X 300 Second HA

Total integration time: 81.5

Entrant statement: This is a 9 panel mosaic of the Constellation Crux and surrounds, shot over a period of months, in RGB-HA.

Deep Space Runner Up

Photographer: Paweł Radomski

Location: Borchow, Poland

Equipment: ZWO ASI2600MM-C, AZ-EQ6, TS Newton 8" f/5 Carbon, Antlia LRGB Filters

Exposure: L: 514x180sec, RGB: 150x180sec each channel

Total integration time: 48h 12min

Entrant statement: LDN1448 is a very rarely photographed dust region where intense star-forming processes are taking place

Deep Space Top 5

Photographer: Rodney Watters

Location: Glanmire, NSW, Australia

Equipment: Camera: ZWO ASI6200; Lens: Canon 200mm f2.8

Exposure: R: 51 × 300" - G: 50 × 300" - B: 51 × 300" - Hα: 35 × 1200"

Total integration time: 24h 20m

Entrant statement: A widefield image of the Large Magellanic Cloud, our close neighbor galaxy at a distance of 158,200 light years.

Deep Space Top 5

Photographer: Jan Beckmann

Location: Heidelberg, Germany

Equipment: TS Hypergraph 6, Takahashi e130D, Skywatcher NEQ6, iOptron CEM70G, QHY 294m pro

Exposure: L: 89 x 180 s R: 22 x 180 s G: 25 x 180 s B: 30 x 180 s H-alpha: 64 x 300 s OIII: 125 x 300s

Total integration time: 24.3 h

Entrant statement: Comet C/2021 S3 PANSTARRS crossing Cygnus with Weinberger 1-10 (PK086+05.1) to the right.

Deep Space Top 5

Photographer: Joshua Robertson

Location: Coffs Harbour, NSW, Australia

Equipment: ASI2600MM, Antlia RGB Pro, Antlia 4.5nm Ha, Antlia 3nm O3. Takahashi FSQ-106ED

Exposure: 5 Panel Mosaic, for Each Panel: 60x15s each of R, G, B, 48x300s Ha, 48x300s O3

Total integration time: 43hrs, 45min

Astro Landscape Winner

Photographer: Matteo Strassera

Location: Tenerife, Canary Islands, Spain

Equipment: Canon R5, Sigma 14mm f1.4 Art

Exposure: Land: 8*120 sec; Sky: 8*60 sec

Total integration time: 60 sec each frame, 480 sec total

Entrant statement: A 360 panorama showing the arch of the Milky Way stretching across the sky above the volcanic landscape of Tenerife, in the Canary Islands

Astro Landscape Runner Up

Photographer: Matteo Strassera

Location: Namibia, Karas Region

Equipment: Canon R5, Canon 14-35RF f4

Exposure: Land: 7*120 sec; Sky: 7 tiles * 5 frames 15 sec

Total integration time: 75 sec per tile, total 8 min 45 sec

Entrant statement: An abandoned train stop in Namibia’s desert glows softly, embraced by the Milky Way’s arc, captured under one of the clearest skies on Earth

Astro Landscape Top 5

Photographer: Jason Perry

Location: Anmatjere, Northern Territory, Australia

Equipment: Nikon Z7II with Nikkor Z 14-24mm f/2.8 S Lens

Exposure: 2 row pano, 10 exposures total at 60 seconds each.

Total integration time: 0.16 hours (10 min)

Entrant statement: Aboriginal Warrior, with spear in hand, stands watch over his land in a remote area of the Northern Territory.

Astro Landscape Top 5

Photographer: Jason Perry

Location: Valley of Dreams, New Mexico, USA

Equipment: Nikon D850 and Sigma 20mm f/1.4 Art lens

Exposure: 161- 6 second exposures

Total integration time: 0.25

Entrant statement: Located in Navajo Nation land of New Mexico, Alien Throne is a hoodoo which was created over millions of years by wind, rain, and water.

Astro Landscape Top 5

Photographer: Louis Leroux-Gere

Location: Kirkjufell, Iceland

Equipment: Canon EOS 6Da, Sigma ART 24mm f/1.4, Nisi Natural Night

Exposure: 20*4s

Total integration time: 1m40

Entrant statement: Aurora pillars and thunderstorm above Kirkjufell

USA's new tallest timber tower halted mid-build, future uncertain

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An ambitious new timber skyscraper that's set to become the tallest of its kind in the United States – and indeed the world – has hit a snag. The building has been under construction in Milwaukee, Wisconsin, for a few months now. However, despite speedy progress, it has run into some issues and the future of the project seems uncertain.

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Category: Architecture, Technology

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Review: Maono Wave T5 wireless microphone punches above its weight

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Whether you're a content creator or a casual recording enthusiast, the Maono Wave T5 wireless lavalier microphone kit may not be on your radar – but it ticks a lot of boxes. If you're after clean audio in different environments, decent battery life and charging on-the-go, this handy setup is on par with its peers at a fraction of the price (from US$89.99 to $129.99).

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Category: Consumer Tech, Technology

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27 oral microbes drive 250% rise in pancreatic cancer risk

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For the first time, scientists have identified 27 bacteria and fungi living in our mouths that are implicated in the development of pancreatic cancer. Collectively, housing all of the bad microbes increases one’s risk of the deadly disease by 250% – or 3.5 times higher – compared to the general population.

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Category: Cancer, Illnesses and conditions, Body and Mind

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Device uses a camera, AI and electricity to boost healing time by 25%

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Dressings that simply cover wounds may soon seem archaic. An experimental new device reportedly speeds healing by 25%, and utilizes a computer-linked camera to determine when it should zap wounds with electricity or shoot medication into them.

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Category: Medical Devices, Medical Innovations, Body and Mind

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Utterly adorable 530-lb micro-camping pod airs up into tiny-tent abode

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The all-new Urbanoid Booba is an impossibly cute, tiny acorn of a trailer designed to be towed by vehicles right down to electric microcar size, providing a stylish, carefree way of instantly escaping the urban grind for greener pastures. Upon arrival, the towable clamshell unfolds and inflates into a cozy base camp in a matter of minutes. Unlike many larger, heavier hard-bodied teardrops, it even offers enough seating for the whole family.

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Category: Camping Trailers, Adventure Vehicles, Outdoors

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Architects reveal new model for urban living where desert meets forest

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A new landmark has opened in Dubai that brings together desert architecture and forest living. Designed by Beijing-based architecture studio aoe, working in collaboration with Dubai’s STUDIOI, the Ghaf Woods Experience Centre serves as an introduction to what's being described as the city’s first forest-integrated residential community.

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Category: Architecture, Technology

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The Viltrox Spark Z3 compact flash stands out with futuristic looks and simple user features

Digital Photography Review news -

Image: Viltrox

Most compact flash units look fairly similar, with little to make them stand out. Viltrox has gone a different direction with its new Spark Z3, a TTL on-camera flash. The affordable and compact unit promises lots of power with a "cyber-inspired" design that makes it visually distinct in a crowded field.

The Spark Z3 features a matte metallic body and a "translucent 'light core'" on the top of the device. Viltrox describes it as "futuristic Cyber Mech aesthetic." It comes in gray and green, giving users at least one option slightly different than the typically neutral colors of flash units.

The Spark Z3 comes in black and green.
Image: Viltrox

The Spark Z3 is highly compact, weighing 144g (5.1oz) and measuring 78.4 × 67.2 × 55.9mm (3.1 x 2.6 x 2.2"). It easily fits in a pocket or bag, making it more feasible to bring when traveling or at events. It also won't add much weight to the camera, which is always appreciated.

Despite the compact size, the Spark Z3 provides a fair amount of power with 26Ws output. That's not as powerful as more expensive or larger flash units, and won't serve as a replacement for those. But it is plenty for close-range work, fill flash or casual event photography. It also has a one-second recharge time at full power, allowing photographers to shoot rapidly. It offers a TTL Auto Mode, which is ideal for beginners.

The Spark Z3 comes with a diffuser to soften light.
Image: Viltrox

For those who want more control, there is also a manual mode with seven power levels ranging from 1/64 to full power. It also features built-in optical triggering, enabling off-camera use. The flash supports both Sync Trigger Mode and Anti-Preflash Mode, making it easier to work in multi-light setups. It also comes with a diffuser to soften the light.

Viltrox promises up to 650 full-power flashes per charge, and users can recharge the device via USB-C in 70 minutes.

The Viltrox Spark Z3 is available today for $55. It is available for Nikon (Z3-N) and Fujifilm (Z3-F) cameras, with Sony (Z3-S) and Canon (Z3-C) versions coming soon.

Buy now: Buy at Viltrox

Press release:

Viltrox Spark Z3 TTL On-Camera Flash: ‘Cyber Mech’ Style

26Ws flash with seven power settings, automatic and manual control, versatile triggering modes

Shenzhen, China – September 25th, 2025 - Viltrox proudly announces the release of the Spark Z3 TTL On-camera Flash, a pocket-sized yet powerful lighting solution that fuses cyber-inspired aesthetics with pro-grade performance. Compact enough to fit in the palm of the hand, the Spark Z3 combines intelligent automation, precise manual control, and rapid responsiveness to empower creators to master light in every scenario.

Bold Cyber Mech design

The Spark Z3’s matte metallic body, accented with geometric lines and a translucent “light core,” reflects a futuristic Cyber Mech aesthetic. Available in Gunmetal Gray and Tundra Green, its lightweight yet robust structure blends strength with style, making it both a tool and a statement piece.

Smarter light control: TTL & Manual modes

  • TTL Auto Mode (Instant-Response): Pre-flash metering intelligently balances light output for natural fill, letting beginners capture perfect shots instantly.
  • M Manual Mode (Creative Control): Fine-tune brightness across a 7-level power range (1/64–1/1) to craft custom lighting effects with cinematic precision.

Whether shooting portraits at golden hour, neon-lit street scenes, or low-light interiors, Spark Z3 ensures balanced illumination that highlights both subject and atmosphere with clarity and depth.

Pro performance in a pocket

  • 26Ws output with 7-stop adjustment delivers versatility for stills, portraits, and creative scenes.
  • 1-second full-power recycle ensures uninterrupted shooting and decisive moment capture.
  • Up to 650 full-power flashes per charge keep inspiration flowing, with USB-C 70-minute fast charging and support for charging while in use.
  • Included diffuser softens light instantly for professional portrait textures.

Multi-light freedom: Wireless sync modes

The Spark Z3 features built-in optical triggering for flexible off-camera setups:

  • S1 Sync Trigger Mode: Wireless multi-flash triggering for studio-style creativity.
  • S2 Anti-Preflash Mode: Prevents pre-flash interference, ensuring stable results in complex lighting setups.

Ultra-light, travel-ready design

Weighing only 144g and measuring 78.4 × 67.2 × 55.9mm, the Spark Z3 slips easily into a pocket or bag, making it the perfect companion for travel, street, or event photography. Compact yet powerful, it redefines what a pocket flash can achieve.

Compatibility across major brands

The Spark Z3 is available in dedicated versions for Nikon (Z3-N) and Fujifilm (Z3-F), with Sony (Z3-S) and Canon (Z3-C) versions coming soon, ensuring broad system compatibility for creators worldwide.

MSRP: $54.99 / €62.99 / £51.99

Where to buy:

Viltrox Official Website: viltrox.com/products/z3-camera-flash

Durable steel wheels could replace rubber tires on mining vehicles

Gizmag news -

For nearly a decade, a Phoenix, Arizona-based outfit has been working on a smart replacement for the giant rubber tires that go on heavy mining vehicles – think haul trucks, excavators, and bulldozers that can weigh dozens of tons. The descriptively named company, Global Air Cylinder Wheels (GACW), is inching towards a commercial launch of its airless wheels, and it might be on to something big.

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Category: Automotive, Transport

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Someone's finally trying make the ultra-portable Micro Four Thirds camera we've all been asking for

Digital Photography Review news -

Image: Esquisse Camera

It's a cry echoed throughout comment sections and forums every time we see a new Micro Four Thirds camera: where are the truly small options? Why is no one making a camera that takes advantage of the small lenses available for the system to create a package that's truly pocketable, such as a modern successor to the Panasonic GM5 or Olympus PEN-F?

These are the kinds of questions that drove Côme Courteault to co-found Esquisse Camera, a group working on a "timeless carry-everywhere camera" with a minimalist design that's smaller than a deck of cards. The project, announced today, is still in very early stages, but we sat down with Courteault to talk about what drove him and the team to take on the task of creating the thing that so many people have been asking for.

What is the Esquisse Camera?

While nothing is set in stone yet, Esquisse Camera's website describes the vision: a camera that weighs less than 350g, features just the controls you need for photography, paired with fast autofocus, a 20MP+ Four Thirds CMOS sensor and a rangefinder-style EVF. The design will call back to classic cameras of the past, and some current models, with an aluminum unibody wrapped in leather. That's all at a target price of less than $2000.

Courteault says the team has drawn inspiration from the Panasonic GM5 and Olympus PEN-F, humorously saying that there's frequent debate about which is better. "All of the team wanted to go with Micro Four Thirds for portability, almost pocketability, because the lenses are very small as well. And this is basically the only interchangeable lens platform that offers this with AF and all the modern tech."

A drawing of what the front of the Esquisse Camera might look like.
Image: Esquisse Camera

He also says he drew inspiration from his other main camera, the Leica M11, when it came to materials and feel. "This is also something we want to achieve in a smaller body, at a different price point, of course."

The name, Esquisse, is the French word for a sketch, outline, or preliminary drawing (Courteault says the people working on the project are split between France and China). "This is because this is our first camera. We intend to build a brand on top of it, but right now we understand that it's a rough sketch, so we use the French word for this." He jokes that it's better to have a name, rather than just a mix of numbers and letters.

What makes it special?

Obviously, the size is a big part of the pitch, and the goal is to make it the size of a deck of cards or, as Courteault puts it, a pack of cigarettes. "We always felt there was an underserved market for this kind of street photography, travel, pocketable-ish camera," he says.

The Esquisse Camera site says the goal is to have "all essential photography functions right under your thumb," and shows a design featuring a shutter button, dials for exposure compensation and ISO, a clickable top-plate command dial and two function buttons. It also shows a touchscreen to control the autofocus point.

Another mock-up, this time showing the rear controls. The website says the tentative plan is for a 3" rear screen and a 3.69M-dot OLED EVF.
Image: Esquisse Camera

It also mentions a dust and splash-resistant design – a common ask for highly-portable cameras – and 256GB of internal storage. As the site notes, though, all these specifications could change as the company works with manufacturers and continues development.

Of course, with something this ambitious and small, there will be trade-offs. Courteault is up front in saying that the camera won't shoot video. "We designed not to incorporate video, both for ergonomic reasons... we feel video is completely different and photography is very specific, and we really want to provide a photographic experience." He also cites concerns around the amount of heat video would generate in such a small body.

Building in public

The core team at Esquisse is four people, though there are others with varying levels of involvement. "At the core, we're amateur photographers," Courteault says. "We teamed up with people who have experience in consumer electronics and industrial design, and everything we need to make this camera." Courteault himself comes from the software side.

"We want to see the market feedback before we actually fundraise"

He says the team is currently a group of enthusiasts spending their own money to make the camera that they'd like to use, and that they're still considering how the business will actually run. But a primary focus is making sure potential buyers are included in the process. "In all transparency, we want to see the market feedback before we actually fundraise and incorporate and invest more in this."

Esquisse is hoping to get feedback from the people who sign up to its email list. "We want to be transparent about this, we'll update them with design decisions that we have to make, compromises we have to make, because there will be trade-offs."

"We're really doing this because we are frustrated. We want this camera for ourselves."

When I asked if he was worried about larger companies taking advantage of the transparency to beat them to release, he laughed. "Honestly, if bigger companies want to do this... I'd be a customer, so what can I say?" He thinks Esquisse can make different choices than a large company would, but says, "If they want to get in there, I would do something else and buy the camera and would be happy about it. We're really doing this because we are frustrated. We want this camera for ourselves."

The long road ahead

Courteault admits that it's very early in the process of announcing this kind of project and that there are many steps still to go. The site lists a goal of launching the camera in Q4 2026, which is relatively soon in the world of product development.

We asked where the project was in terms of manufacturing, and he says that the team was "considering several options" when it comes to actually getting it made. "There are things for which we're pretty much set, and things that are still being discussed."

"We don't think customers should be the investors of a company, it's two different jobs"

"We are still open to new companies," he says. "The real challenge is to get the electronics small enough so that it can fit in this very small body." He also says they were discussing pricing with companies, but that he could only go into so much detail since talks were still in progress.

When it comes to getting funding, Courteault says they'll consider fundraising from investors later in the process, but that they don't plan on taking money from customers until there's a working production unit. "We don't think customers should be the investors of a company, it's two different jobs. Investors who are funding this kind of project know the risks and how difficult it is; customers are just buying products, so we shouldn't mix the two."

He did say they'd consider taking pre-orders to get a sense for how many cameras they'll need to make and to ensure they have the money to get them made.

Our take

When we asked Courteault what he's most excited about with the Esquisse Camera, he says it's the form factor. "For anyone who's been using a GM5 or a Sony RX100, this is going to be closer to that than to the other mirrorless cameras." He admits there are a few size compromises to include the EVF. The plan is to make it around a centimeter taller than the GM5, but the goal is still to have a camera that you can carry with you at all times.

I have to agree. I'm on the record saying that I want to see more innovation and variety in the Micro Four Thirds system, and it seems like many people out there agree. However, whether there will be enough to make this project a success could be another story.

The jump between having a finished design and getting products into people's hands is a big one

While Courteault seems confident that the team can deliver the camera through a combination of small production runs and efficient manufacturing and development, it's also a notoriously complex industry. This isn't the first project I've covered promising to fill a much-beloved niche, and not all of them have worked out. The jump between having a finished design (or even a production sample) and actually getting products into people's hands is a big one.

Still, I'll be following this project with interest, especially as it moves into the engineering and manufacturing stage. I want to believe that, some day, you'll get to read our review of the Esquisse Camera.

Anker wheels out tri-laser outdoor theater with huge inflatable screen

Gizmag news -

Following the success of its Nebula X1 outdoor projector, Anker's smart entertainment brand – Soundcore – has wrapped a Pro version in a big ol' wheeled outer skin and paired it with a 200-inch inflatable screen for what's being billed the "world's first mobile theater station."

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Category: Home Entertainment, Consumer Tech, Technology

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Apple cider vinegar controversy undermines weight-loss claims

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A headline-grabbing study that helped fuel the apple cider vinegar (ACV) boom has now been pulled from the scientific record, striking a blow to the authors, the wellness community and journal publisher BMJ Group. The research, which claimed that a daily teaspoon or two of ACV could drive striking weight loss and metabolic improvements, was found to have "multiple errors" and results that couldn't be proven.

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Category: Diet & Nutrition, Wellness and Healthy Living, Body and Mind

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