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Our "Shades of Gray" photo challenge is now open for submissions

Digital Photography Review news -

I took this photo of the Abraham Lincoln statue inside the Lincoln Memorial in Washington, DC, in 2020 while writing an article about using anamorphic lenses on smartphones for wide-format photography. This image was captured using a Moment anamorphic lens on an iPhone 11 Pro and desqueezed to an aspect ratio of 2.35:1, about the same as CinemaScope, a widescreen cinema format originally developed in the 1950s.

Photo: Dale Baskin

Our December Editors' photo challenge theme is "Shades of Gray."

This month, we're celebrating the art of black and white photography. Whether you're focused on the interplay between light and shadows, ethereal high-key images, or using darkness to create mood and mystery, we challenge you to show us the world in monochrome. Strip away the color and show us your best black and white images!

Photos can be submitted between Sunday, December 14, and Saturday, December 20 (GMT). The challenge is open to photos captured at any time.

Important: Images MUST include a title and a caption of at least 25 words to be eligible. We need to be able to share the story behind your photo. We will consider both photos and captions when selecting our winners, so make sure to tell us that story!

Visit the challenge page to read the full rules and to submit your photos for consideration as soon as the challenge opens.

Visit the challenge page to see the full rules

Peugeot revives and electrifies cult 70s moped

Gizmag news -

Not too long ago, the Peugeot 103 was ruling the streets of France. These were "pedal-and-pop" bikes, meaning they required the rider to pedal them for the two-stroke 50cc engine to kick in. And you didn’t even need a license – since they were limited to around 28 mph (45 km/h) – so they were all the rage back then.

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Category: Motorcycles, Transport

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Review: Best value rooftop tent on the US market looks a lot like this

Gizmag news -

After years of admiring iKamper as the modern innovator behind the expandable three/four-person rooftop tent (RTT), we think we've found a new favorite family-size RTT. The Vision XL from Topoak offers a thoughtful design for less than half the MSRP of iKamper's Skycamp 3.0 and other major competitors. While it might not be perfect, the tent packs an impressive blend of materials and features for that bargain price. And its biggest drawback is easily fixable.

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Category: Tents, Gear, Outdoors

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You'll never guess where this skyscraper is going to be built...

Gizmag news -

We're used to seeing new skyscrapers regularly announced for major cities like Dubai, New York, and Shenzhen. However, this ambitious project is slated for somewhere totally unexpected: a remote Swiss village.. Named Lina Peak, the project has absolutely nothing to do with that other plan to do the same thing, and will totally transform the area if completed.

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Category: Architecture, Technology

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The DPReview team discusses our picks for our 2025 awards

Digital Photography Review news -

Last week, we announced the winners of DPReview's Annual Awards for 2025. As always, the process for selecting them can be a bit contentious, with some heated (but still respectful) debate among the team. This year, we thought it'd be fun to give you a peek behind the scenes, so we recorded a team discussion where we go in-depth on the winners we picked, as well as some of the runners-up.

If you want to hear more about our personal favorite things from this year, even the ones that didn't get an official award, be sure to check out our Gear of the Year columns. Not all of them are out yet, but the rest of the crew's articles will be coming soon.

13 HP Kawasaki single might soon become America's cheapest retro moto

Gizmag news -

Everyone’s been crying out for the likes of Harley-Davidson, Indian, and Triumph to release more accessible, entry-level retro classics in the West, but much of it has been in vain. Well, Kawasaki is reportedly ready to answer that call with its W175 LTD.

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Category: Motorcycles, Transport

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One apartment per day: Student housing gets 3D printed crazy fast

Gizmag news -

Described as Europe's largest 3D-printed housing project, the Skovsporet development is currently underway in Denmark. A total of 36 student apartments were built with remarkable speed, as the cutting-edge technology allowed the equivalent of more than one apartment per day to be printed.

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Category: Architecture, Technology

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Nissan's versatile new light camper rolls out as 4 vans in one

Gizmag news -

A week ago, we looked at what could very well end up the most modular Toyota truck of all time. Now, we have a vehicle that could prove Nissan's most versatile van ever. Nissan may not be quite as well known for vans as Toyota is trucks, but it has long offered a few commercial van staples. And in markets not named "USA," it's also developed some very intriguing factory camper vans and concepts. The all-new Primastar Flexvan is both, and it's designed to get things – all the things – done.

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Category: Campervans, Adventure Vehicles, Outdoors

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Partially stacked sensors quietly deliver the IQ breakthrough we've been hoping for

Digital Photography Review news -

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Partially stacked sensors are essentially conventional BSI sensors with more complex readout circuitry (seen at the top and bottom of the Z6III sensor, here). This allows boosted DR modes we're seeing from the Panasonic S1II and Sony a7 V.

Image: Nikon

Dynamic range data for the Sony a7 V makes clear that the benefit of partially stacked CMOS isn't just speed: it's the ability to deliver higher dynamic range.

Bill Claff has just published his DR figures for the Sony a7 V, making an impressive showing and revealing what's going on behind the scenes, both of the Sony and the recent Panasonic Lumix S1II.

Partially stacked sensors are essentially conventional BSI chips with more complex readout circuitry around the edge (the sensor itself isn't stacked). The Nikon Z6III showed this could bring a speed advantage over existing BSI sensors but the Panasonic S1II and Sony a7 V show that there's much more they can do.

The dynamic range data for the Sony a7 V (black) gives a hint to how it's delivering its excellent results in mechanical shutter mode (blue).

Image: Photos to Photos

Unlike existing dual conversion gain sensors, which could use either a low gain (high capacity) setting for low ISO and a high gain (lower noise but lower capacity) mode for high ISOs, the new sensors can do both, simultaneously. So you can capture the full capacity of the low gain mode but combine the cleaner shadow data of the high gain mode.

For years, we've seen dismay that the advances in sensor tech weren't giving an IQ improvement. Well here's the step forward in IQ we've all been waiting for'

This process, which we suspect involves sample-and-hold capability in the more complex readout circuitry, takes longer than reading out just a single mode. As a result, it can only be conducted in mechanical shutter mode, where the physical shutter stops any more light accumulating, giving you as much time as you need to read the sensor.

The publication of the e-shutter data for the Sony makes this clear: in e-shutter mode you see the now-familiar shape of a dual conversion gain sensor, but in mechanical shutter mode the low ISO DR is boosted: essentially extending the shadow benefit of the high gain mode back up into the low ISO range. Panasonic's S1II does the same thing.

Compare the results of the Panasonic S1II (orange) with that of the Nikon Z6III, which uses a similar sensor but appears to always use only either its low or high gain mode, and you see the same pattern. We strongly suspect the S1II's e-shutter data would overlap very closely with the Nikon's.

Image: Photons to Photos

For years now, we've seen dismay expressed that the advances in sensor tech were only giving a speed benefit, rather than an IQ improvement. And those speed improvements were often mischaracterised as solely benefiting video. Well here's the step forward in IQ we've all been hoping for, in addition to the speed boost we see in the single gain readout mode.

What does this mean for the a7 V?

The upshot for the Sony is that dynamic range looks excellent in mechanical shutter shooting but you have to give up that DR boost when you switch to any of the e-shutter modes. So, while the Sony still outputs 14-bit files in these modes, there may not be the DR advantage over the Canon EOS R6 III's 12-bit output that some commenters have been (perhaps prematurely) crowing about.

The good news is that Bill had initially marked the a7 V's data as having noise reduction in it. He's now removed this designation as the signal processing he was observing appears to be the combination of the two readout modes, rather than anything murky goings on in the shadows.

Do I need all this DR?

This is certainly a step forward for the industry, and one that doesn't come with the significant costs of a fully stacked sensor design, so it's likely to come to a wider range of cameras. We'd assume a similar approach will appear in the next generation of fully stacked sensors, though it may still require the use of a mechanical shutter.

It's worth keeping in perspective, though. DR numbers do not represent image quality as a whole, and there's nothing to suggest that there's been a big boost in IQ across the whole tonal range of the images. The improvements will primarily be in the shadows, adding editing flexibility for things like daybreak and sunset landscapes.

For a lot of photographers, DR differences were worth considering when some models produced Raw files with relatively little opportunity to exploit shadow capture, beyond what was already present in the JPEGs. But once you reach a threshold of 'good enough' for your style of shooting, any further increase is nice to have but for an increasingly small number of your images, rather than an every-shot benefit.

It's definitely a step forward, though, and if more people start to utilize the capabilities of HDR screens to make their work more striking and lifelike and more often use more of their captured DR, then that will only increase the value of this breakthrough.

Thansk to Horshack, Bill Claff and Bob Newman for their work, insight and feedback on this technology.

This tiny dev board is packed with features for ambitious makers

Gizmag news -

If you enjoy building or tinkering with electronics, this hacking tool can help you get wildly creative with your projects, and make it a lot easier to test them. It's called the Kode Dot, and not only does it packs a ton of useful hardware into its compact body, it also has a couple of powerful features on the software side you'll likely lose many an evening to in your workspace.

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Category: Electronics, Consumer Tech, Technology

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Between art and work: reflections on purpose and identity as a photographer

Digital Photography Review news -

A self-portrait I created during grad school.
Photo: Abby Ferguson

Confession: this year has been a complicated one for me and my relationship with photography. It's been a year of conflicting emotions and unanswered questions about how to move forward with the medium. While I've already shared my reflections on some of my favorite photos taken this year, the end of the year also seems like a good opportunity for broader reflection about my place in the photographic world.

This year, I've been more involved in photography than ever before. On top of working at DPReview (for nearly a year now), I'm also teaching my second semester of photography at a local community college and I've joined local photography groups with regular meetups (a first for me). Photography has seeped into just about every aspect of my life and is part of every single day. It's become an all-consuming activity and topic. And yet, more than ever, I've also grappled with what this photography thing is to me at this point in my life. This year has challenged me to consider what kind of photographer I am and whether I'm creating work that I even want to make.

My thesis body of work from graduate school consisted of digital multiple exposures printed on transparency film and mounted to plexiglass. The work centered around the impact of failing memory, specifically visuospatial working memory. The image on the left is a very small segment of my thesis installation, with a close-up of one of the pieces on the right.
Photos: Abby Ferguson

To understand why I've been grappling with this medium, some background may be helpful. I went to school for photography for seven and a half years. My undergraduate degree was a dual major in photography and art education, and I subsequently earned my Master of Fine Arts in the medium. Both my undergraduate and graduate programs were very conceptual, fine-art focused. I loved that side of photography, and it resulted in work that I am incredibly proud of to this day.

There was an interactive component of my thesis show as well. Visitors were invited to take one of the small images hanging from red string (a reference to an old memory trick), which left empty red strings by the end of the show (the image on the right).
Photos: Abby Ferguson

Since graduating from graduate school, I have held a variety of photography-related jobs, all of which have been focused on the commercial or general industry side of the field. Being busy with a full-time job (and trying to make money) meant that the art side of my photography was largely pushed aside. I've made the classic excuses, including not having time and not having a dedicated space to create like I did in grad school.

I've continued to dip my toe in the art photography waters from time to time over the past decade, but not with any serious focus. There have been some conceptual self-portraits and a few series that I’ve started and stopped, but I haven't put forth the time or energy to develop anything in earnest or to get my work out there beyond my computer or the occasional Instagram post.

This is one of my more recent conceptual images, though it was taken in 2020. The red string has remained a consistent theme (or thread, if you will) in my work.
Photo: Abby Ferguson

I'd already been struggling with missing the art component for some time, which has resulted in something of an existential crisis. I've been questioning whether I still like and am proud of my work since it isn't conceptually based. I've also been thinking a lot about the why. Why do I take photos? And why do I take photos of the things I do?

For a period of time, those questions resulted in my rarely taking photographs. Luckily, this year, I at least got over that hump and started shooting regularly again, largely thanks to the photo clubs. But those groups also brought all of my doubts and confusion into full view, partly because with these new people, I am frequently asked what type of photography I do. Quite frankly, I struggle to answer that question.

Film photography and photo walks with local groups (which this image is from) have brought the fun back to photography for me, though they have also brought some of my dilemmas to the forefront.
Photo: Abby Ferguson

To a certain extent, it's always been that way, as I never narrowed down into one small niche as some do (and as I was constantly told to do). But it's been amplified lately. I always feel like I need some long, convoluted reply, or to have an asterisk at the end of it. Am I still a conceptual photographer at this point? I make lots of non-conceptual work, but is any of it any good? And how would I describe that work in a word or two? I can confidently say that I don't consider myself a landscape or wildlife photographer, but what type of photographer am I?

I wish I could say that as we wrap up this year, I've found my answer and can confidently say that I am a [fill in the blank] photographer or that I am in love with my photographs. Unfortunately, that's very far from the truth. While I created images I'm proud of, the big picture is something I am still wrestling with, and likely will continue to. For the time being, I'll just keep making work and perhaps find a renewed urge to put that work out there for others to see.

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