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This year's Audubon Photography winners show off birds from more places than ever

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2025 Audubon Photography Awards

The National Audubon Society has announced the winners of its 2025 Audubon Photography Awards competition.

This year, the organization is doing its "annual celebration of outstanding bird visuals" a little differently: there's one set of awards in its various categories (which include Birds in Landscapes, Conservation, and Plants for Birds) for the US and Canada, and another set for Chile and Colombia. The Audubon Society says it did this to expand the talent – and species of birds – that the contest showcases.

You can see the complete list of winners, as well as the honorable mentions, on the Audubon Society's website.

Chile and Colombia "Grand Prize" Winner: Felipe Esteban Toledo Alarcón

From the photographer: While looking to photograph frogs’ mating rituals at a lagoon in Parque Saval, my friend and I noticed a pair of Ringed Kingfishers hunting fish, completely submerging themselves in the water. No one can ignore such a scene. While the female was far away, the male dove unsuccessfully time and time again—and with each try, he moved closer to us. Even though the sun was not in the perfect position, I set up my camera in burst mode with a high shutter speed, moderate ISO, and “zone” focus. I was ready. After the bird made six dives, I got the image that I’d been chasing: a kingfisher explosively rising out of the water, displaying its beauty, elegance, and power.

Species: Ringed Kingfisher

Camera: Sony a7 IV, Sony FE 200-600mm f/5.6-6.3 G OSS

US and Canada "Grand Prize" Winner: Liron Gertsman

From the photographer: Frigatebirds are a common sight in many coastal towns in Mexico. As a kleptoparasitic species, they may look to steal a meal from other seabirds—or from local fishermen. I photographed these birds as they passed a stunning halo in the sky. These rings of light form when millions of tiny ice crystals in the atmosphere refract sunlight, often when there are high-altitude cirrus or cirrostratus clouds. I utilized a small aperture to ensure both the birds and sky would be sharp and to get a “starburst” effect on the sun in the middle of the frame.

Species: Magnificent Frigatebird

Camera: Canon EOS R5, Sigma 14mm F1.8 DG HSM Art EF

US and Canada "Birds in Landscapes" Winner: Joe Subolefsky

From the photographer: I wanted to photograph Northern Gannets against the Milky Way, so I studied the moon phases and planned a trip. Forecasters predicted rain and fog for all three nights I was in Newfoundland, so my chances were limited. I hiked to the colony and waited for clear skies. I used only the rotating light from the nearby lighthouse, which washed over the colony every 30 seconds. Then, for a mere 20 minutes, most of the clouds parted, bringing the stars and Milky Way to life.

Species: Northern Gannet

Camera: Canon EOS R5, Canon RF 15-35mm F2.8L IS USM

Colombia "Birds in Landscapes" Winner: Shamir Shah

From the photographer: On this day, I was documenting trees above a bike path along a busy road and climbed a pedestrian bridge to get a different angle. That’s when I saw these Blue-headed Parrots peeking out from a hollow. This image tells an interesting story: Down below, people in cars and buses are going about their daily business; above, the parrots observe the humans, who, in their rush to progress, miss out on all kinds of expressions of life.

Species: Blue-headed Parrot

Camera: Nikon D750, Nikkor AF-S 24-120mm F4G ED VR

Chile "Birds in Landscapes" Winner: Caro Aravena Costa

From the photographer: Despite very few daytime hours, the sunlight in Patagonia is exquisite in winter. After arriving in Puerto Natales, my group walked along the waterfront as the sun began to set and spotted these backlit flamingos. I got my camera, and we walked carefully to the snow- and ice-covered shore. In subfreezing chill, I lay down on the cold ground to take photos. The warm sunlight, which enveloped everything, created a magical atmosphere.

Species: Chilean Flamingo

Camera: Sony a7 IV, Sony FE 100-400mm F4.5-5.6 GM OSS

Chile and Colombia "Birds Without Borders" Winner: Jacobo Giraldo Trejos

From the photographer: Capturing this image required patience, attention to detail, and, above all, enduring the sun’s intense heat. The adult Royal Tern flew tirelessly, looking for fish to feed its young, which patiently waited on a railing. Many people think that dedication and affection for our young is exclusive to humans, but nature, as usual, proves us wrong. I feel a deep respect for these birds’ efforts: Photographing this moment was a privilege worth every second—and every drop of sweat.

Species: Royal Tern

Camera: Canon EOS R50, Sigma 150-600mm F5.6-6.3 DG OS HSM Contemporary

US and Canada "Birds Without Borders" Winner: Yoshiki Nakamura

From the photographer: Every winter, tens of thousands of Snow Geese migrate from Siberia to Washington’s Skagit Valley, where they stay from October to April. Massive flocks—some numbering more than 10,000 birds—take off together in breathtaking, synchronized motion. When danger nears, the first few birds flap their wings, sending a cascading signal that triggers a collective launch. Although they move as one, each bird follows its own rhythm and direction, creating a mesmerizing mixture of order and chaos. To express this ephemeral choreography, I used a slow shutter speed. The result is what I call a “melting flight”: a blend of motion, form, and instinct. What I find most beautiful is how this chaos has coherence. There are no collisions, no commands—just a shared sense of movement.

Species: Snow Goose

Camera: Nikon D850, Nikon AF-S 600mm F4E FL ED VR w/ Nikon AF-S Teleconverter TC-17E-II

Chile and Colombia "Conservation" Winner: Luis Alberto Peña

From the photographer: I was photographing birds in a rural area when I came across this fire, which started as a controlled burn to clear rice crop residues but got out of hand. For many people who grow rice in this area, fires are a necessary practice for subsistence. However, these burns can also harm air quality and habitat, especially if they aren’t controlled. As I watched the flames, I noticed a Savanna Hawk. Attentive and patient, this bird never strayed from the dense smoke and heat; in fact, it returned again and again hoping to hunt disoriented animals fleeing the flames. I, on the other hand, eventually had to retreat. Before I left, I captured this visual testimony to one of the many ways that wildlife survives and adapts in the face of extreme environmental conditions.

Species: Savanna Hawk

Camera: Nikon Coolpix P900

US and Canada "Conservation" Winner: Jean Hall

From the photographer: As a volunteer with the Audubon of the Western Everglades’ Owl Watch program, I’ve spent hours and hours photographing Burrowing Owls. Initially, I was only interested in beauty and behavior shots. Over time, I realized I needed to take a journalistic approach to demonstrate the vulnerability of this imperiled species. I took this image near a construction site. This defiant guy decided to use a huge lumber pile as his roost for days. I returned several times because I never knew if or where he might pop out. Burrowing Owl habitat is almost gone, especially on Marco Island, but the birds’ toughness is hard to defeat.

Species: Burrowing Owl

Camera: Canon EOS 5D Mark IV, Canon EF 24-105mm F4 L IS USM

Chile and Colombia "Plants for Birds" Winner: Cristian Valencia

From the photographer: I was blessed to work as a bird guide at the Hotel Termales del Ruiz, near Los Nevados National Natural Park. The area is home to a sub-páramo ecosystem, a cool forest rich in biodiversity. I wanted to photograph the Purple-backed Thornbill, so I approached flowers they pollinate. One day, I suddenly saw this specimen up close; I just had to wait patiently to capture its colorful beauty as it fed. I like to share such photos to raise awareness: When we cut down a forest, we also risk losing species like this one.

Species: Purple-backed Thornbill

Camera: Sony a7 II, Sigma 100-400 F5-6.3 DG DN OS Contemporary

US and Canada "Plants for Birds" Winner: Barbara Swanson

From the photographer: I visited La Jolla’s cliffs three times in January, when cormorants were building nests, and with each visit my photos improved. The birds fly in low over the ocean, then swiftly gain altitude, making it hard to predict where each bird will settle. From the moment I spotted this bird flying in from some distance on my third visit, I had only six seconds to focus and snap this image as it prepared to land. I was in the right place, and my camera’s “bird focus” setting helped me keep the cormorant sharp in the frame. The bird carried not only the usual seagrass but also a strand of red grape algae, which glowed like translucent jewels.

Species: Brandt’s Cormorant

Camera: Nikon Z8, Nikkor Z 600mm F6.3 VR S

Chile and Colombia "Youth" Winner: Camilo Sanabria Grajales

From the photographer: On our way to this year’s Colombia Birdfair, my dad and I pulled over for lunch at the Neblinas restaurant. A little warbler crept up as I walked along the nature trail in the high-altitude cold. Suddenly, the bird caught a moth and shook it vigorously. Astonished as I was, I captured the precise instant of this predator-and-prey interaction in detail as the moth’s scales floated midair, released by each flick of the bird’s beak. To me, this photo reveals the vital relationship between migratory birds and ecosystems that support them.

Species: Blackburnian Warbler

Camera: Canon EOS Rebel T7, Sigma 150-600mm F5-6.3 DG OS HSM Contemporary

US and Canada "Youth" Winner: Parham Pourahmad

From the photographer: When I heard of a rare Long-eared Owl sighting at Coyote Hills Regional Park, I went to check it out. When I arrived before sunrise, I saw the owl looking for rodents in the park’s grasslands and marshes. It hunted on and off for the next hour, giving me ample time to take photos. The sun rose, shining beautiful colors all over the marsh. When the owl flew by, I framed it with its habitat to demonstrate the connection between the owl and its home. I appreciated the warm lighting and how the owl stood out despite appearing small in the frame.

Species: Long-eared Owl

Camera: Nikon D3500, Sigma 150-500mm F5-6.3 DG OS HSM Contemporary

Chile "Coastal Birds" Winner: Francisco Castro Escobar

From the photographer: I enjoy birding every weekend in the coastal area of my city. Urban sprawl has affected shorebird habitat, but even so, in summer it is common to see some species strolling among rocky outcrops or the shore. On this occasion, an American Oystercatcher chick and its mother came toward me. I hid, patiently waiting for them to get closer, until I was able to capture this beautiful moment of the mother feeding a mollusk to her chick. The tenderness of an image like this helps raise awareness about the importance of protecting these “coastal warriors,” as I call these birds, who struggle to survive day by day.

Species: American Oystercatcher

Camera: Sony a7 IV, Sony FE 200-600mm F5.6-6.3 G OSS

"Female Bird Prize" Winner: Sean Pursley

From the photographer: I decided to head to cooler temperatures in the mountains, about an hour’s drive from Boise. I arrived as the early morning light started to hit the side of the mountain. I made my way on the trail as the filtered light shone through the canopy. It was absolutely magical: I could hear bird sounds all around, feel the cool air, and smell the pines. I then saw two Chipping Sparrows flitting around the bushes. One, carrying nesting material, flew onto a perfectly lit branch. She posed for about 15 seconds. The gifts the universe gives us are so special.

Species: Chipping Sparrow

Camera: Sony a1, Sony FE 200-600mm F5.6-6.3 G OSS w/ Sony FE 1.4x teleconverter

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Viltrox expands its lightweight Air series with two new lenses

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The Viltrox AF 9mm F2.8 lens.
Image: Viltrox

Viltrox has announced two new lenses in its Air lineup: the AF 14mm F4.0 Air for full-frame and AF 9mm F2.8 Air for APS-C cameras. These join Viltrox’s growing series of lightweight, compact and affordable lenses, offering an ultrawide perspective for both full-frame and APS-C users.

The Viltrox AF 14mm F4.0 Air lens.
Image: Viltrox

The AF 14mm F4.0 Air lens is available for E and Z mount full-frame cameras and provides a 112° field of view. The lens features an STM autofocus motor that Viltrox says is accurate, smooth and quiet enough for video use. It can focus as close as 0.13m (5.1") and offers a 0.23x maximum magnification, making it useful for detail shots as well as sweeping views.

The 14mm lens uses an optical design comprised of 12 elements in 9 groups, which includes 4 ED, 2 HR and 2 aspherical elements. The front element also features an anti-glare coating to minimize flare and ghosting. It is compatible with 58mm filters.

As part of the Air series, Viltrox designed the lens to be lightweight and compact. The E-mount version weighs just 170g (6oz), while the Z-mount model weighs 185g (6.5oz). The E-mount lens is 56.4mm (2.2") long, and the Z-mount is 58.4mm (2.3") long.

The Viltrox AF 9mm F2.8 lens.
Image: Viltrox

The AF 9mm (13.5mm equiv) F2.8 Air lens offers nearly the same view as the full-frame lens. The APS-C lens shares other similarities with the full-frame offering as well, such as the STM motor for autofocus that promises to be smooth and silent for video recording and a 0.13m (5.1") minimum focusing distance. Its maximum magnification is slightly lower, coming in at 0.15x.

The 9mm F2.8 lens uses an optical design with 13 elements in 11 groups and includes 3 ED, 3 HR and 2 aspherical elements to minimize chromatic aberration and manage distortion. It's available for E and Z mounts, with the E model weighing 175g (6.1oz) and the Z mount lens weighing 190g (6.7oz).

Both new Air lenses, the AF 14mm F4.0 Air and AF 9mm F2.8 Air, are now available for purchase for $199.

Buy now: Viltrox AF 9mm F2.8 Air Viltrox AF 14mm F4 Air

Canon RF 85mm F1.4 L VCM sample gallery: portraits in Japan

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When you use DPReview links to buy products, the site may earn a commission. Canon EOS R5 II | Canon RF 85mm F1.4 L VCM | F5 | 1/640 sec | ISO 3200
Photo: Richard Butler

Last week, Canon announced the RF 85mm F1.4 L VCM, a new telephoto lenses made for portraits and video work. The company also invited our editor Richard Butler to Japan, to take a tour of their factory (so keep an eye out for some exciting stuff coming down the line), and on the trip he got the opportunity to take several portraits with it, along with other images that fit the focal length.

We processed the samples using our standard Capture One workflow, which includes digital geometric distortion corrections. However, unlike with some of the wider lenses in Canon's current F1.4 lineup, the company says those aren't required for this lens, and indeed we've found them to be relatively subtle.

Image Comparison SliderThis widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content. Canon EOS R5 II | Canon RF 85mm F1.4 L VCM | F8 | 1/200 sec | ISO 500
Same file, exported from Adobe Camera Raw with and without distortion correction.

As with other lenses in this line, we found the declicked aperture ring to be somewhat unsatisfying for photography; the lack of discrete stops meaning it doesn't give any sense of feedback when you change your aperture setting, so we tended to leave it in its locked position and control the lens from the camera's command dials.

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See the sample gallery

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing; we do so in good faith, so please don't abuse it.

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