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'Space smoothies' may help astronauts stomach long missions

Gizmag news -

Sure, space travel sounds exciting, but space travelers are still workers – workers who could ordinarily go to restaurants for lunch or go home for dinner. And while the dining habits of cosmonauts, astronauts, taikonauts, and other void-venturers might seem trivial to us Earth-bound folks who’ll never get to traipse among the stars, space travelers do face serious complications from their truly risky missions in which they sacrifice days, months, or even years away from family, friends, and Earth to expand our knowledge and prepare a multiplanetary future for humanity.

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Category: Space Systems, Engineering

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Could Sony's massive new sensor sway even Christopher Nolan?

Digital Photography Review news -

The Rialto 65 sensor block will mount on Sony's Venice 2 camera, which currently offers modules based around 50MP and 24MP full-frame fully-stacked sensors.

Image: Sony

Sony has announced the Rialto 65: a large format sensor module for its Venice 2 cinema camera. The "Rialto" will be built around a 53.75 x 35.83mm sensor, making it comparable in size to the 53.4 x 40mm (essentially 645) sensors its semiconductor division makes for the likes of the Phase One IQ4.

More to the point, it's very close in size to the dimensions of the Arri Alexa 65, a rental-only cinema camera used in very high-end Hollywood productions. That has a 54.12 x 25.58mm sensor. The Rialto sensor uses a taller 3:2 aspect ratio than the Arri camera.

No details have been given about the pixel count or sensor technology being used, but it's probably safe to say it won't be the high pixel-count, relatively slow readout designs used in the Phase One and Fujifilm's smaller-sensor GFX Eterna cameras.

Sony says the sensor "block" will be available in the first half of 2027, with it being on show at the Cine Gear Expo show in Los Angeles later this week.

At present, the Venice 2 is available with stacked 35 x 24mm sensors that closely match the spec of the a1 II and a9 II photo cameras.

What is 65mm?

The Arri 65 uses a ∼54 x 26mm sensor which, like the Rialto 65, mimics the size of a vertically-fed strip of "65mm" film.

Image: Arri

As if we weren't having enough fun judging digital cameras by the dimensions of film formats over on the stills side of things, Sony is careful to point out that "65mm" refers to "a class of imaging area derived from the 65mm film format," rather than actually being a dimension of the sensor size (a footnote the camera industry might consider applying to its inch-type sensor size nomenclature).

As with "35mm" film, 65mm can be used in a variety of ways. Both Arri and Sony are mimicking the 5-perf vertical usage when they refer to 65mm.

Illustration: based on images by Mliu92 - Own work, CC BY-SA 4.0, Link

As with "35mm" film, the 65mm format is named after the full width of the film, including the sprockets. And, as with 35mm, which can be used vertically, using four perf(erations) to give the "Super 35" movie format, that's roughly the same size as APS-C, or horizontally, using eight sprocket holes per frame to give the 36 x 24mm format we call full-frame, 65mm can be used in a number of ways.

The most common are 5-perf vertical, giving a roughly 52.6 x 23mm widescreen frame, or the vast 15-perf horizontal IMAX format that Christopher Nolan seems determined to maintain, single-handedly. This is a vast 70.4 x 52.6mm. If you know anything at all about the exponential costs of making larger sensors, you'll understand why Sony is mimicking the former.

Why Rialto?

While, for Brits at least, the world 'Rialto' may evoke crumbling former cinemas in faded seaside towns, the name actually derives from Venice's historical theatre district. And this sensor block fits into the Venice 2 camera. Clever, eh?

Sony hasn't given details of price but we'd assume it's as close to the cost of one of Venice's islands as the price of your current camera.

The Camp Snap 2 wants to be your favorite screen-free camera – but there's a catch

Digital Photography Review news -

Photo: Dale Baskin

The original Camp Snap camera was a surprise hit, a minimalist camera that succeeded largely because of what it lacked. Originally marketed as a low-cost, screen-free camera for kids to take to summer camp, where devices with screens are sometimes banned, it found a second audience among adults drawn to its no-frills, toy camera simplicity.

The Camp Snap 2 is built around the same basic hardware, but has a slimmer design that takes cues from classic rangefinder aesthetics, and includes several small but meaningful improvements. It's a likable little camera, though with a sensor much smaller than a typical point-and-shoot, image quality isn't the reason to buy one.

Key features
  • 8MP, Type 1/3.2 image sensor (15.7mm²)
  • 26mm (equivalent) F2 lens
  • Dual-tone LED flash (6500K cool / 3000K warm)
  • 6 present 'Filters' for different photo looks, changeable in-camera
  • Screw-lockable door to access memory card and date/time settings
  • 30.5mm filter thread
  • Tripod socket
  • 4GB microSD card included
  • USB-C port

The Camp Snap 2 is available in nine colors, including translucent options, and costs $70. It can be ordered directly from Camp Snap.

Buy now:

Buy at Camp Snap The case for a dedicated summer camp camera

Before diving into the camera, it's worth some context, particularly for those outside North America. Summer camp is a big tradition in the US and Canada, with kids spending anywhere from a few days to a few weeks at outdoor camps. For many kids, it's the highlight of the summer.

I have some personal perspective here: not only did I attend summer camp as a child, but I ran one for several years. Back then, if kids brought cameras, they used film and waited until they got home to see the results.

The Camp Snap 2 camera is designed for kids to take to summer camps with a screen-free policy, but it has found a second audience as a fun toy camera.

Camp Snap 2 camera | F2 | 1/1700 sec | ISO 100
Photo: Dale Baskin

Today, many camps prohibit devices with screens, including smartphones and most digital cameras. They want to keep kids engaged with each other and the outdoors rather than staring at screens or messaging friends at home. That's the scenario the Camp Snap was designed for.

What's new

If you're familiar with the original Camp Snap, here's what's changed.

The most important addition is a dedicated on/off switch. On the original, the shutter button doubled as the power switch, which was awkward and potentially confusing. The Camp Snap 2 also gains an automatic sleep mode, so a forgotten power-off won't drain the battery.

The back of the Camp Snap 2 camera is as simple as it gets. An on/off/flash switch (upper left), a tunnel-style viewfinder, a tiny LCD frame counter, and a button to change the filter style of the images (center right). There's also a speaker that emits shutter sounds when the shutter button is pressed.

Photo: Dale Baskin

Filter presets (color modes) can now be changed in-camera. The original required a computer connection to change modes, and if you wanted to change it, you had to reconnect to the computer. The Camp Snap 2 offers six: Standard, Vintage 1, Vintage 2, Vintage 3, Analog, and Black & White, cycled through using a button to the right of the frame counter. Holding it for 10 seconds locks it, useful if you'd rather your kids not fiddle with the settings.

Like the original, the Camp Snap 2 has a small screw securing the card slot door, and the new model adds a conventional slide-lock so you can remove the screw if you prefer.

Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab. A comparison of the Camp Snap 2's six color modes.

Also new: a 30.5mm filter thread and a tripod socket. I don't anticipate many people will use this camera with screw-on filters, but Camp Snap has strongly hinted that it plans to release some. The tripod socket is of limited utility without a self-timer or a way to remotely trigger the shutter.

In use

The Camp Snap 2 is exceptionally easy to use because there's so little to control. It's the closest thing to a 'plastic fantastic' disposable camera you'll find in the digital world. The only controls are the shutter button, the power switch (which also activates the flash), and the filter button. A tiny LCD on the back displays the shot count and the active filter.

"It's the closest thing to a 'plastic fantastic' disposable camera you'll find in the digital world."

Since there's no LCD screen for composing shots, you frame photos through a simple tunnel-style viewfinder. It's not fancy, but it works, which is all it needs to do.

The camera includes a 4GB microSD card, which Camp Snap says should hold around 2,000 photos. That's plenty for a week at camp, and you can always use a larger card if needed.

The bottom of the Camp Snap 2 houses the USB-C port, tripod socket, and a screw-locked door covering the memory card slot and date/time controls. The screw discourages kids from opening it, but can be removed if you'd prefer

Photo: Dale Baskin

The card lives behind a panel that screws shut, and that's very much by design. From personal experience running a summer camp, I can tell you that kids are remarkably good at losing things. Placing a screw on that door is a meaningful deterrent between a curious kid and the only copy of their photos.

Of course, there's no guarantee they won't lose the entire camera (because: kids), but if they do, it was only $70 to start with.

Camp Snap 2 camera | F2 | 1/2500sec | ISO 100
Photo: Dale Baskin

The flash is an LED type, similar to a smartphone flash, which can produce that same washed-out look. Auto flash mode is gone this time around, which is a minor loss. That said, given the limitations of the LED unit, leaving it off unless it's absolutely needed is probably the right approach anyway.

The camera runs on an internal battery charged via USB-C, which is one less thing for kids to lose. Camp Snap rates it at around 500 shots, which seems reasonable in my experience.

Image quality

It's important to set appropriate expectations for image quality. It's an inexpensive camera that's designed mostly for kids to capture memories, with the idea that it's potentially disposable should disaster happen.

Don't expect the same level of image quality that you would get from a modern smartphone or even a retro point-and-shoot camera, though. The camera's imaging sensor is tiny. In fact, it's smaller than the ones used in most smartphone cameras, and it doesn't benefit from any of the computational photography techniques those devices use to improve image quality.

It's worth illustrating this with some real-world examples. In the table below, you can compare the Camp Snap 2's sensor and lens to other cameras that have lenses with similar focal length, including the Kodak C1, the Olympus Tough TG-5, a rugged camera introduced in 2017, and the iPhone 13, a several-year-old smartphone.

Camp Snap 2 Kodak C1 Olympus Tough TG-5 iPhone 13
(main camera) Price $70 $120 $450 $799 Sensor type 8MP 13MP (BSI) 12MP (BSI) 12MP (BSI) Sensor area 15.7mm² 15.9mm² 28.1mm² 35.2mm² Lens* 26mm F2 26mm F2 25-100mm F2-4.9 26mm F1.6 Light captured** 1x ~1x 1.8x 3.5x

*Focal lengths are 35mm equivalent.
**Relative to Camp Snap 2, based on sensor area, aperture, and sensor type (BSI sensors capture more light than conventional sensors of the same size).

In general, the more light a camera gets, the better the image quality, and the numbers on the last line tell a clear story: the Camp Snap 2's sensor captures roughly half the light of the TG-5 and less than a third of what the iPhone 13 captures – and that's before the iPhone's computational wizardry kicks in. The Kodak C1's BSI sensor gives it a slight edge over the Camp Snap 2 despite their similar size, along with a flip-up LCD screen, for just $50 more.

Of course, what none of those cameras can provide is the simplicity and screen-free experience of the Camp Snap 2, and if a screen-free camera is what you need, or simply the experience you're after, it stands out.

The Camp Snap 2 is prone to clipping bright highlights, like clouds.

Camp Snap 2 camera | F2 | 1/1150sec | ISO 100
Photo: Dale Baskin

In most cases, the Camp Snap 2 does a good job of getting exposure correct, but it struggles with strongly back-lit scenes, and while the white balance is generally on target, photos can occasionally exhibit a slight color cast.

The most visible artifacts you're likely to encounter are clipped highlights on bright objects or JPEG compression artifacts, which are obvious if you pixel peep images at magnification.

Verdict

The Camp Snap 2 is a good camera to send to camp with your kids, particularly if there's a no-screens rule. It's incredibly easy to use and lets kids capture memories that last a lifetime. Older kids, or those with some photography experience under their belt, might find it too simplistic and would be better served by something with a bit more control.

However, it has a fun factor, and if you're buying it for your child to take to summer camp – or even for yourself to have some fun – it's up to the task. When I look back at photos I took at summer camp as a kid with a film camera, the image quality leaves a lot to be desired. But adult me doesn't care one bit about that. The purpose of those photos was never to be fine art. It was to capture memories of something that mattered, and they do exactly that. The Camp Snap 2 can do the same.

From vicious storms to sunlit vistas: Readers share their weather photos

Digital Photography Review news -

What are your favorite weather conditions for photography?

Photo: Collage of entries for this week's Question of the week article

Last week, we asked you what your favorite weather events are for taking photographs. From stormy seas to picturesque forest hillsides, a wide range was depicted. Initially, when we said "weather events", all we thought we might get were tornadoes, floods and other disaster scenes. You surprised us with a truly wide palette to appreciate.

View the above slideshow to check out the 15 selected memorable photographs. Many more could not be included, so check them out in the forums. We'd love to see you contribute your own weather experiences, too.

Share your favorite weather events!

Shrouded city skyline

Photo: AshleyMC

"Any weather condition that is not life-threatening. :)"

Share your favorite weather events!

Shrouded Swiss mountains

Photo: 99tollap

"I live in the Swiss mountains, and for me, changeable cloud cover, revealing hidden mountain features, with occasional isolated bursts of sunlight, is the best."

Share your favorite weather events!

Frosted window

Photo: Maoby

"The days of extreme cold and seeing the frost on the windows from the warmth of inside, with a good coffee."

Share your favorite weather events!

Low clouded valley

Nikon Z f | Nikkor Z 26mm f/2.8 @ 26mm | F11 | 1/200 sec | ISO 100

Photo: AWG_Pics

"Any weather is workable, but skies with interesting clouds are fun!"

Share your favorite weather events!

Romantic forest mountain view

Sony ILCE-7M3 | Nikkor DX 24mm f/3.5 @ 24mm | F10 | 1/160 sec | ISO 100

Photo: Jefenator

"Call me a romantic drama addict; I'm all about that blend of sunlight and clouds."

Share your favorite weather events!

Firey town sunset

Photo: GinoSVK

"Sunset just after major rain, as surprising as it is bountiful."

Share your favorite weather events!

Ocean dock view sunrise

Canon EOS R8 | 600mm | F11 | 1/1600 sec | ISO 1600

Photo: kodakrome

"Depends on what I'm shooting. For birds, I like a clear day. For general scenery, partly cloudy is my friend."

Share your favorite weather events!

A snowy good time

Panasonic DMC-G3 | 45mm | F5 | 10/1600 sec | ISO 160

Photo: richj20

"Fog and snow. Unfortunately, where I live in So. California, those are rare conditions."

Share your favorite weather events!

Dramatic lightning event

Canon EOS 5D Mark II |24mm | F13 | 8/1 sec | ISO 100

Photo: Zeee

"Mostly fog and mist. Dark skies with frost. Sometimes lightning."

Share your favorite weather events!

Frosty mountain snow town

Pentax K-1 | 37mm | F8 | 25/1 sec | ISO 250

Photo: KPM2

"It doesn't happen often here where I live, but at that special night the moonlight was beautiful. And in long exposures, clouds sometimes blur very subtly."

Share your favorite weather events!

Huge tornado approaching

Apple iPhone 16 | 2.22...mm | F2.2 | 1/99 sec | ISO 160

Photo: Howard V

"This forming tornado missed us by about three miles while we were on vacation at a rodeo in South Dakota."

Share your favorite weather events!

Summer tropical getaway

Panasonic DMC-GX8 | 20mm | F4 | 10/10000 sec | ISO 200

Photo: tranceliner

"Several have mentioned a dislike for cloudless, blue skies. I agree - for the most part. However, a cloudless sky can help emphasize the scene being photographed."

Share your favorite weather events!

Deep blue morning

Panasonic DC-G9 | 8mm | F2.8 | 2/5 sec | ISO 200

Photo: GrayCard

"I really like very early mornings, regardless of the season, sometimes right after a storm, when the light is at its most gentle. Blue Hour at Meadowlark Gardens."

Share your favorite weather events!

Stormy seaside

Photo: tranceliner

"Very often depends on the mood. I love strong gale winds, especially if I am heading towards the Grand Harbor, Malta."

Share your favorite weather events!

Dramatic cloud-covered sunset

Canon EOS R6 | RF 70-200mm F4 L IS USM @200mm | F4 | 1/500 sec | ISO 100

Photo: tommo_k

"Generally speaking, I like dramatic skies, either the colors or cloud shapes, to have some interest in the skies. As many in this thread, I love dramatic mountain landscapes enriched by clouds. Mountains and sunsets are a great combo, too."

Share your favorite weather events!

Radical Toyota bush camper expands to sleep 4 on a Land Cruiser

Gizmag news -

A few years back, South Africa's Bushwakka debuted one of the more creative Toyota Land Cruiser 4x4 micro-campers the world has seen, the Kamelback camper. Though it was built to house only two people, something about the multi-expanding camper module felt like it could easily fit more people. And now it does, as Bushwakka adds the Kamelback 4 to its lineup, fitting a two-bed expandable bunkhouse atop the bare rear chassis of one of the world's most rugged and trustworthy 4x4 platforms to redefine what it means to pack up the whole family and get away from it all.

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Category: Expedition Trucks, Adventure Vehicles, Outdoors

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Hungry for good pictures? These photographers have cooked up a treat

Digital Photography Review news -

Winners of the 2026 World Food Photography Awards sponsored by Bimi

The winners of this year's World Food Photography Awards sponsored by Bimi have been announced, celebrating food storytelling across the world. The winners of the 27 categories were unveiled by chef and food writer Gennaro Contaldo at the Mall Galleries in London this evening.

"These Awards highlight the power of photography to tell food stories from around the world," says Dave Samuels, Brand Director of Tenderstem Bimi Broccolini and headline sponsor of the Awards. "The remarkable images remind us of the essential role food plays in communities across the globe - through growing, harvesting, cooking, eating, celebrating and surviving. Whatever changes the world goes through, food remains central to our lives."

This year's edition of the contest saw nearly 9000 entries from over 50 countries. The judging panel was chaired by David Loftus, a legendary food photographer, and included Claire Reichenbach, CEO, James Beard Foundation; Tom Athron, CEO, Fortnum & Mason; Rein Skullerud, Senior Photographer & Photo Editor, World Food Program; Jamie Oliver, Chef, Restaurateur; and Olia Hercules, Food Campaigner, Activist, Author and Chef.

An exhibition of all 203 finalists will be on view at the Mall Galleries, London, from June 3 to June 7. We've included a selection of the category winners below, but you can see all of the 2026 finalists and category winners on the contest website.

Overall Winner and Fortnum & Mason Food at the Table

Title: A Woman Eats in the Canteen of the Soviet-era Sanatorium

Photo credit: Jo Kearney / World Food Photography Awards sponsored by Bimi

Nationality: British

Description: The Khoja Obi Garm sanatorium (health hotel), Tajikistan, is a brutalist concrete monstrosity built on hot radon gas-infused springs in the mountains. During Soviet times, communist workers were given two weeks annual holiday here. Today, its low price - $28 per day including full board and treatments - attracts ordinary Tajiks plus tourists from the neighboring 'Stans' and the odd backpacker. Treatments include hot pools and steam rooms, wax wraps and tanning barrels, plus hearty, healthy meals.

Instagram: @jokearneyphotography

Cream of the Crop

Title: Ine Fishing Village, Kyoto, Japan

Photo credit: Albert González / World Food Photography Awards sponsored by Bimi

Nationality: Spanish

Description: Squids drying in the sun using the traditional Japanese technique of Himono in the fishing village of Ine, Kyoto Prefecture, Japan.

Technical details: Canon EOS 6D | EF 70-200mm F4L IS USM | 89mm | F6.3 | 1/3200 sec | ISO 125

Instagram: @leckerstudio

Cake Award

Title: A Mid-Century Man and His Cake

Photo credit: Claudia Anton / World Food Photography Awards sponsored by Bimi

Nationality: Australian

Description: This image creates a cinematic mid-century mood with high contrast, warm tones and textures. The cake is the centerpiece with symmetrical lines and buttercream swirls glowing in the firelight. The scene is filled with hidden vintage surprises, family heirlooms and trinkets. A nod to the era and a moment in time.

Instagram: @thesugarologist

Bring Home the Harvest

Title: Early Morning Catch, Hooghly River

Photo credit: Marco Rutten / World Food Photography Awards sponsored by Bimi

Nationality: Dutch

Description: At sunrise beneath Howrah Bridge, a small crew hauls in their nets on the Hooghly River. River fish remain everyday food and income here: catches from boats like this are sold in nearby markets and prepared that very morning in Bengali kitchens. A quiet, collective harvest beneath the city’s busiest crossing.

Technical details: Canon EOS 6D Mark II | EF 24-105mm F4L IS II USM | 35mm | F7.1 | 1/80 sec |ISO 100

Instagram: @marcophotoworld

Champagne Taittinger Wedding Food Photographer

Title: Twin Bridesmaids Enjoy Canapés, Devon, UK

Photo credit: Emma Stoner / World Food Photography Awards sponsored by Bimi

Nationality: British

Description: May 2025. Twin bridesmaids enjoy canapés of 'Proper Crisps' at Jess & Tom's wedding. They are pictured in the gardens at The Grain Store in Devon, UK.

Technical details: Canon EOS 5D Mark IV | EF 24-70mm F2.8L II USM | 35mm | F3.5 | 1/1000 sec | ISO 500

Instagram: @emmastonerphotos

Food Influencer

Title: Noodles

Photo credit: Maja Lewicz / World Food Photography Awards sponsored by Bimi

Nationality: Polish

Description: Dark, moody noodles with texture that you can almost feel. Mysterious, bold and irresistible.

Technical details: Canon EOS 6D Mark II | EF 50mm F1.8 STM | F10 | 0.3 sec | ISO 100

Instagram: @veggie_intervention

Louis Jadot Wine Photographer of the Year - Overall Winner (and People)

Title: In the Depths of the Deposit

Photo credit: Juan Miguel Ortuño Martinez / World Food Photography Awards sponsored by Bimi

Nationality: Spanish

Description: During the cleaning of the underground tanks, Pedro goes down and cleans the walls and floor of the remains of the previous wine with pressurized water. Once clean, his partner lowers a small bucket with a sponge inside to collect the remains that are left in the lower corner.

Technical details: Canon EOS R5 | EF 24mm F1.4L II USM | F1.6 | 1/125 sec | ISO 6400

Instagram: @ortunojuanmiguel

Louis Jadot Wine Photographer of the Year - Places

Title: The Hidden Vineyard, Pokolbin NSW, Australia

Photo credit: Chris Elfes / World Food Photography Awards sponsored by Bimi

Description: This vineyard is just beside a main road, but you can't see it unless you stop. It is sort of hidden. This image was taken while Mount Pleasant Wines picked their Semillon grapes. I stopped to shoot the ground action, but the drone gave me a great perspective, and nature did its best to help me.

Technical details: DJI Air 2S | 22mm equiv. | F2.8 | 1/800 sec | ISO 200

Louis Jadot Wine Photographer of the Year - Produce

Title: In the Eye of the Kvevri

Photo credit: Luke Carver / World Food Photography Awards sponsored by Bimi

Nationality: British

Description: Point-of-view shot from inside a traditional kvevri during the 2025 grape harvest in Georgia.

Technical details: Canon EOS 6D | EF 16-35mm F2.8L II USM | 16mm | F2.8 | 1/800 sec | ISO 12,800

Instagram: @lukecarverphoto

The James Beard Foundation Photography Award

Title: At the Register

Photo credit: Daniel D Kwak / World Food Photography Awards sponsored by Bimi

Nationality: American

Description: A moment of respite from the line at Hadja Marley, an authentic Senegalese eatery in Brooklyn. This portrait captures the daily rhythm of life on Fulton Street, focusing on the steady presence of the staff and the traditional West African flavors that bring the local community together. A study of neighborhood service.

Technical details: Canon EOS 5D Mark IV | 24-70mm F2.8 | 51mm | F3.2 | 1/500 sec | ISO 3200

Instagram: @foodcre8ive, @dkcre8ive

Hotel Art Group Food Stylist Award

Title: Raw Pairing No.2

Photo credit: Styling: Sarah Ghijselinck | Photo: Sandra Declercq / World Food Photography Awards sponsored by Bimi

Nationality: Belgian

Description: Instead of presenting a finished dish, this image focuses on the ingredients behind the pairing. Salt, fat and vegetal bitterness are arranged in balance, illustrating how wine pairing originates in the interaction of fundamental flavors rather than the final recipe.

Technical details: Canon EOS R | EF 100mm F2.8 Macro USM | F20 | 1/125 sec | ISO 100

Instagram: @sarahghijselinck.foodstyling

Food in the Field

Title: Dusty Journey

Photo credit: Serkan Dogus / World Food Photography Awards sponsored by Bimi

Description: Every morning, hundreds of sheep arrive in the village from the high pastures of Mount Nemrut for milking. After the milking is completed, at sunset, the sheep set out once again toward Mount Nemrut, and their dusty journey begins.

Technical details: Sony a7R III | FE 70-200mm F2.8 GM OSS | 164mm | F8 | 1/400 sec | ISO 100

Claire Aho Award for Women Photographers

Title: Granny's Welcoming Gift of Love

Photo credit: Kellie Carter / World Food Photography Awards sponsored by Bimi

Nationality: American

Description: This home affirms the true meaning of family. Where home is sustained by generosity, where love is expressed through making, sharing and showing up again and again. Where Granny's smile, fresh-baked cookies and a cold glass of milk can make even the bleakest of days bright again.

World of Drinks

Title: Campari Barmen, Milan

Photo credit: Marie-Louise Moutafchieva / World Food Photography Awards sponsored by Bimi

Nationality: Canadian/Bulgarian

Description: I happened by chance to turn my attention to the local bar on the corner of Galleria Vittorio Emanuele II, Camparino. The expression of the barman and the waiter dressed in white tuxedos instantly created a story I had to capture. It was one of those moments where I found myself in the right place at the right time.

Technical details: Sony a7 III | FE 24-70mm F4 ZA OSS | 70mm | F6.3 |1/160 sec | ISO 320

Instagram: @marielouphotography

Food for the Family supported by The Felix Project

Title: The Final Touch

Photo credit: Michela Balboni and Federico Borella / World Food Photography Awards sponsored by Bimi

Nationality: Italian

Description: Little Asilbek touching the hot bread, straight out of the family tandoor. In Samarkand (Uzbekistan), the 'non' is unlike any other: round, dense, with a thick, chewy crust, and always marked in its center with black sesame seeds.

Technical details: Leica SL2-S | Vario-Elmarit-SL 24-70mm f/2.8 ASPH. | 35mm | F5 | 1/320 sec | ISO 800

Instagram: @_michelabalboni_

Jamie Oliver Youth Prize 13 - 17

Title: Chhath Puja Offerings

Photo credit: Indigo Larmour / World Food Photography Awards sponsored by Bimi

Nationality: Irish

Description: During Chhath Puja, food offerings are held by devotees, who stand in bodies of water as they pray to the sun god, Surya. This Puja is predominantly performed by women, and is always vibrant and colorful, particularly when observed in a rural setting, such as this in West Bengal, India.

Technical details: Nikon D600 | AF-S Nikkor 24-120mm F4G ED VR | 24mm | F4 | 1/640 sec | ISO 250

Instagram: @i_larmour

Politics of Food

Title: Irebero Miller

Photo credit: Glenn Vanderbeke / World Food Photography Awards sponsored by Bimi

Description: Portrait of a female miller after processing grains into cornmeal. At Vocational Training Center Irebero, single women are trained as millers.

Technical details: Canon EOS 600D | Tokina atx-i 11-16mm F2.8 | 11mm | F3.2 | 1/40 sec | ISO 400

M&S Food Rising Star

Title: The Making of Granola Bars

Photo credit: Sarah-Vanessa Schneider / World Food Photography Awards sponsored by Bimi

Nationality: Swiss

Description: This image captures the process of making granola bars, highlighting the warm afternoon light spilling across a rustic setting dominated by browns and blues. The human element grounds the quiet mood of the scene. Sometimes a story isn't told in the finished dish, but in the act of making it.

Technical details: Canon EOS 5D Mark IV | EF 85mm F1.2L II USM | F3.5 | 1/10 sec | ISO 100

Instagram: @velvetandvinegar

unearthed Food for Sale

Title: Cabbage Market. Mohastangor, Bogura, Bangladesh

Photo credit: Kazi Mohammad Golam Quddus / World Food Photography Awards sponsored by Bimi

Nationality: Bangladeshi

Description: In Mahasthangarh, Bogra, a large vegetable market comes alive each morning. Farmers bring in their freshly harvested cabbages, usually transported by rickshaw vans, and gather for the daily cabbage market. Traders buy the produce here and supply it to Dhaka and other major cities.

Technical details: Hasselblad L2D-20c | 24mm F2.8 | F5.6 | 1/80 sec | ISO 400

Production Paradise Previously Published

Title: Poaching

Photo credit: Erik Lafontaine / World Food Photography Awards sponsored by Bimi

Nationality: Belgian

Description: A poached mackerel emerging from a deep, shadowed broth. Controlled lighting sculpts texture and surface tension. The image plays with darkness and stillness, turning humble preparation into a study of depth, contrast and restrained drama.

Technical details: Fujifilm GFX 100S II | GF 55mm F1.7 R WR | F4 | 1/125 sec | ISO 100

Instagram: @helloeriklafontaine

RPS Student Food Photographer of the Year

Title: Red Cocktail

Photo credit: Lara Zeh / World Food Photography Awards sponsored by Bimi

Nationality: German

Description: A sophisticated, monochromatic study of heat and elegance. This deep crimson composition uses a precise spotlight to highlight the glass’s silhouette and create depth. Featuring a hand-crafted chili-sugar rim, the image focuses on geometric symmetry and rich textures, translating the cocktail’s spicy character into a bold, artistic statement.

Technical details: Canon EOS R6 Mark III | RF 24-70mm F2.8 L IS USM | 70mm | F18 | 1/250 sec | ISO 640

Instagram: @_larazeh_

The Philip Harben Award for Food in Action

Title: Proven Recipe

Photo credit: Lehóczki Balázs / World Food Photography Awards sponsored by Bimi

Nationality: Hungarian

Description: I had planned this image for six to seven years, but kept postponing it, feeling unworthy of capturing them. Now, because of their age, I couldn’t wait. Grandma went to the hairdresser, Grandpa shaved, and I filled their kitchen with studio gear. When she saw the photograph, my grandmother called me an artist.

Technical details: Fujifilm GFX 100 | GF 45mm F2.8 R WR | F4.5 | 1/125 sec | ISO 640

Instagram: @lehoczkistudio

World Food Program Food for Life

Title: The Open Air Hotel

Photo credit: Mithail Afrige Chowdhury / World Food Photography Awards sponsored by Bimi

Nationality: Bangladeshi

Description: An open-air restaurant owner serves food to her customers. She sells at a low price so that daily laborers who work at the Gabtoli coal station can afford it. The photograph was taken in Dhaka, Bangladesh.

Technical details: iPhone 12 Pro Max | 26mm equiv. | F1.6 | 1/120 sec | ISO 50

Instagram: @mithail_afrige

Street Food

Title: Kyoto Street Vendor

Photo credit: Kara Baird / World Food Photography Awards sponsored by Bimi

Nationality: Australian

Description: Shot in Kyoto, Japan in September 2025, this image was taken in a split second as I moved through the packed, sweaty crowd at Nishiki Market. With barely any space to stop, I raised the camera and captured a brief, unfiltered moment of the energy and intensity of the market at its busiest.

Instagram: @karabairdphotography

The Bimi Prize

Title: Candied Pear

Photo credit: Anne Mason-Hoerter / World Food Photography Awards sponsored by Bimi

Nationality: Canadian

Description: I wanted to create a unique image of candied fruit, and I have always been fascinated by the transparency of colors revealed through the process. I began by slicing a pear very thinly and boiling the slices in a mixture of sugar and water. Once the slices became transparent, I laid them out to dry on paper. The image was created using sugar water and a pear slice placed on a glass sheet, along with coloured plastic in front of a table lamp. I photographed the setup multiple times from different angles, and finally, I used Photoshop to combine the various images.

Instagram: @annehoerter

Modular sleeping bag combines 7 functions in 1 cozy package

Gizmag news -

Just recently we covered an adaptive sleeping bag that combines three separate components and can be used across a wide temperature range. Another modular sleeping bag is now seeking funding on Kickstarter – ThermoShift from TravelBird, a Hong Kong-based outdoor gear company that specializes in camping equipment.

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Category: Gear, Outdoors

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