We frequently hear about ebikes that are designed to replace cars, but let's be honest … they're still basically bicycles. The Elecy, however, is a pedal-electric vehicle that's much more car-like than most, offering full weather protection and seating for two plus cargo space.
Category: Urban Transport, Transport
Tags: Velomobile, Quadricycle, Pedal-assisted
Toyota is suddenly bullish on electric vehicles, now that it’s got its own platform and manufacturing facilities for them. The Toyota C-HR has officially re-emerged as a fully-electric compact crossover instead of as the quirky hybrid crossover we remember.
Category: Automotive, Transport
Tags: SUV, Toyota, Electric Vehicles
Longtime readers may remember a proposal to recreate the experience of standing on the the Moon inside a giant spherical structure here on Earth. That concept never materialized, but now, four years later, the team behind it is back with an even more ambitious vision.
Category: Architecture, Technology
Elsa's gear list for the Olympics includes four Canon R1 bodies with a wide selection of lenses and additional accessories.
Image: Elsa Garrison
The Milan Cortina 2026 Winter Olympic Games have been underway for over a week now, and Getty Images photographer Elsa Garrison has been logging long hours on the ice to capture the action. We previously spoke with Elsa about her experiences as a sports photographer and the first woman staff photographer at Getty Images. Now she's sharing some behind-the-scenes looks at the gear she has on hand and how she's approaching photographing these Winter Games.
Elsa is currently in Milan to capture the ice events such as women's and men's ice hockey, all of the various figure skating competitions, speed skating and short track speed skating. "As a Minnesotan, I am most familiar with covering ice hockey," Elsa revealed. "It was one of the first sports I learned to cover when I began my sport photographic journey at age 15, so this sport feels like home to me." She also loves short track speed skating because it is so fast and chaotic.
"For the Opening Ceremony, I [was] one of two Getty Images photographers on the field of play to capture event-level images"Elsa also had the opportunity to be at the Opening Ceremony, a first for her. "For the Opening Ceremony, I [was] one of two Getty Images photographers on the field of play to capture event-level images of athletes and performances," she said. "I have never worked an opening from the field of play before, and I am very excited for this opportunity to capture this aspect of the games."
As you likely expect (and can see in the image at the top of the article), the gear needed for such an event is extensive. Elsa's kit includes four Canon R1s, one R3, and nine lenses, such as the Canon RF 10-20mm F4 L IS STM, RF 24-70mm F2.8 L IS USM, RF 50mm F1.4 L VCM and RF 100-300mm F2.8 L IS USM. She also has a 1.4x teleconverter on hand for extra reach when needed, plus two battery chargers for the cameras (see a full list of her gear at the end of the article).
Elsa's setup also includes the ability to take images remotely. She uses a Magic Arm with a clamp and a mini tripod to hold the cameras, and two Pocket Wizard Remote Camera triggers with cables for triggering. She also needs to get images back to Getty Images quickly, so her kit also includes a larger router for the tech team.
Elsa made sure to pack clothes to keep her warm during the Winter Olympics.
Image: Elsa Garrison
Beyond the camera gear, there are also considerations for the cold weather. However, that's not phasing Elsa. "I grew up in Northern Minnesota, and I am very familiar with cold weather," she explained. "The joke with Minnesotans and cold weather is that if we hear someone complain about the cold, we chime in with, 'Cold? This isn’t cold!' and then we bring up the blizzard of 1991 or some other arctic blast."
"The trick is to layer and also keep your spare camera batteries in a warm pocket"While most of the events she has been covering are indoors, the Opening Ceremony was held outdoors, so she focused on appropriate winter gear for working outside for a long period. "The trick is to layer and also keep your spare camera batteries in a warm pocket," she said. "The cold drains the camera batteries quickly, so it takes a little bit of planning and extra equipment to get through a cold-weather assignment."
Although the 2026 Olympics are beginning to wind down, there's still plenty of excitement left. "There is so much to be excited about when covering an Olympic Games," she added. "Every day is a new adventure and I get to document these Olympians as they make sport history. Sure the days are long and grueling at times, but the competition and the performances are easy to get wrapped up in and you forget that you maybe haven’t slept much!"
Elsa's Milan Cortina 2026 gear list:Cameras:
Lenses:
Additional gear:
Winter clothing:
Kodak DCS army 1991-2001
Photo: Maoby
For last week's Question of the Week, the conversation shifted from camera disasters to something most are far more proud to display: the cameras you’ve chosen to keep. We noticed many of you stuck with the same brand or even era of camera, but many more had a surprisingly wide array of brands, lens types and some interesting nostalgic objects. Each collection felt less like a lineup of gear and more like a historic timeline of your unique photographic life.
Read on and view the wide array of cameras collected over the years by our readers.
Your impressive camera collectionsJust one part of my collection.
Photo: vigi
icexe: The Nikkormat FTn was my very first "real" camera, bought during my college days back in the late 80s-early 90s. This thing is bullet-proof, surviving being tossed around in my backpack on various road and camping trips, punk rock concerts in seedy little nightclubs, drinks being spilled on it, and mud being splattered all over it. One time, it was stolen from my apartment in a break-in, but I later found it on the ground behind the apartment; the thieves probably dropped it in their hurry to flee with my stereo and TV. I never once took it in for a CLA, yet as far as I can tell, it still works perfectly fine for a nearly 60-year-old camera.
xpatUSA2: For the pocket: Panasonic DMC-LX1. For Foveon shots: Sigma SD10 house-brick. For my shaky hands: Panasonic DC-G9 (IBS plus lens Power IS). For IR: Modified Panasonic DMC-G1. Apart from proprietary, a good few M42-mount lenses: Asahi Lens Co, Helios, Jena Zeiss.
Ken Sky: I've owned cameras since I was 8 and I'm 87. I'll only show the cameras in my office showcase. Right now, I alternate between a Sony A6000 and A7R4 with multiple lenses. Ironically, photos for this week's discussion were taken with my iPhone 17 Pro Max.
Not counting the broken ones…
Photo: Krummj
ZorSy: My cameras are in full cases (even Ikonta has its leather holster with the strap). Everyone has a story behind them; they were not flea market finds and had been taking family photos for decades. Oh, and a drawer full of digital compacts, bridge cams like Fuji S602, S9500 and DSLRs, which are all counted as disposables.
Swerky: I finally decided to move entirely to APS-C when I acquired my trusty G1X Mark III and DXO with its great denoising engine. But I wasn’t able to sell those Voigtlander lenses, since a 20mm on a crop sensor wouldn’t be of much use as a 32mm. Since I was kinda reluctant to sell those because I liked their qualities, I bought and RP and adapted them to it. Then I finally added an R100 with which I used a very good EF-S 55-250 IS STM.
Michaelgc: I've had a lot of cameras over the years, but the only one I kept was this Nikon FTn. I was an Army combat photographer in Vietnam and took this one into Cambodia in the spring of 1970.
I was an Army combat photographer in Vietnam and took this one into Cambodia in 1970.
Photo: Michaelgc
thielges: I have dozens of cameras, and the whole collection weighs over 50kg. I bought most of them at the San Jose and Capitol flea markets in California for rather low prices. The pre-WWII cameras are usually exquisite examples of mechanical design. Like Swiss clockwork. The post-WWII cameras gradually devolved into cheap plastic junk by the time they became obsolete at the dawn of the home video camera era.
sx-70: My GAS had originally started with my obsession for cheap film cameras I would see in opportunity shops (thrift shops), and then made its way into digital. By far my favourite of the film cameras I own is the Nikon S2. I have taken it out for some shooting recently, and if anything, it has pointed out many flaws in my photography, especially when it comes to how heavily reliant I can be on modern tech that makes life easy.
RaleighTiger99: I've acquired a few cameras. Some I once shot with, some were used to shoot photos/movies of me as a child, and some were given to me by friends. They all have a story, and most are in working order. They reside in different areas of my house, but the largest collection lives over the bar. I often ask folks if they can spot the only two digital cameras on display.
Can you find the only two digital cameras in this collection?
Photo: RaleighTiger99
webcastedude: A Sony A7Cr and Fujifilm X-E5 comprise my camera collection – one full frame and one APS-C. Lenses, however, are my weakness. I have a collection of Helios (vintage Russian) lenses and others of similar age. Compared to new, modern lenses, vintage lenses are cheap, and they offer a wide variety of optical features. Go on, try one on eBay. They are like candy; you can't have just one.
RetCapt: In 1984, Nikon introduced their Nikonos 5. It seemed ideal for the often-hazardous environments in which I found myself. I am not a diver (that is where the great whites dwell, and I have seen what they can do to a human body). I bought the three above-water lenses, 28mm, 35mm and 80mm, and I was set. There are some eccentricities to using this camera, but nothing an experienced film photographer couldn't handle.
Alan Sh: My collection – all Fuji apart from a Canon 300 film camera. The photo collection in my forum post is 5 cameras, 21 lenses, 4 flashguns, plus a host of accessories and tripods. It doesn't include all my bags, most of which are up in the loft.
So many other stories we couldn't fit in this article are shared in the forums. Here is a photo gallery of most of the collections shared:
Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab.Thanks to everyone who took the time to write up an account of your camera collections.
Keep watch for the next Question of the week every other Wednesday to participate in this series. New questions are posted here on the homepage and in the forums. We can't wait to read and share your stories!
Pit your camera collection against the many others in the community!
Google has announced the Pixel 10a, the latest entry in the tech giant's smartphone lineup. The last iteration of the entry-level phone marked a move away from the Pixel's iconic camera bar, and now Google is taking things a step further with a camera array that's completely flush with the rest of the phone's back. Aside from the redesign, the 10a will be very familiar, as it shares most specs and features with the previous generation.
The smoothed-out design will be a big benefit to those who don't like using a case. The phone will now sit flat on surfaces; gone are the days of rocking when you set it down. And it won't get caught when you take it in or out of your pockets.
Image: GoogleWhile Google flattened the camera array, the phone's body didn't get any thicker than the 9a. There also hasn't been a camera downgrade. Like the previous model, the 10a features a 48MP main camera with a Type 1/2 (6.4 x 4.8 mm) sensor and a 13MP ultra wide camera with a Type 1/3.1 (5.0 x 3.7mm) sensor. When asked how they achieved this, Google simply said that the team has the best engineers and wouldn't provide any additional details.
The other changes in the latest budget offering are rather small. It gains some features found on the 10-series of phones, especially AI-related ones. That includes Auto Best Take, which uses Google AI to automatically merge group photos to get the best take for everyone, and Camera Coach, which uses Gemini models to help users with composition and framing. The 10a also now offers Satellite SOS, which aims to connect the phone to emergency services even if you're out of Wi-Fi or mobile network range.
The color options are similar to last year's 9a, though with slightly more vibrance in the blue (called Lavender) and red (Berry) models.The 10a promises a slight durability boost with a Corning Gorilla Glass 7i cover glass, and Google says the Actua display is 11% brighter than the 9a. Battery life in Extreme Battery Saver mode gets a bump from 100 to 120 hours, while normal mode remains at a promised 30 hours. Like the 9a, the Pixel 10a uses the Tensor G4 chipset, which Google says was kept to keep the phone's price down. It retains the IP68 rating as well.
The Pixel 10a is available starting March 5 for $500, the same price as the previous generation. It comes in Obsidian (black) and Fog (white), along with Lavender (blue) and Berry (red), which are slightly more vibrant variations of the 9a's colors.
Last year, the travel-ready KeyGo screen and keyboard combo blasted through its Kickstarter campaign to raise more than 145 times its initial goal. Now KeyGo is back with a few upgrades that might make you consider pledging if you missed out last time.
Category: Consumer Tech, Technology
Tags: Kickstarter, Keyboard, Screen
Swiss engineering company Picasso has mostly made its name with sports supercars and hypercars. It’s headed by Stefano Picasso (not a relative of Pablo Picasso), and has just come up with a flat-track-racing motorcycle that features an adjustable carbon frame.
Category: Motorcycles, Transport
Tags: Racing, Adjustable, Carbon Fiber, Honda Motorcycles, Engineering
In many ways, the new Toyota Highlander is a landmark model: the company’s first three-row electric SUV in the US and the first to use batteries from the new Toyota plant in North Carolina.
Category: Automotive, Transport
Tags: Toyota, Electric Vehicles, Crossover, SUV
Before the days of memory cards, your analog camera would only take rolls of film that came in their own little plastic canisters. Loading them into the camera was an essential tactile part of photography back in the day – and now, you can kinda sorta relive it with this replica keychain that has a clever trick up its sleeve.
Category: Photography, Consumer Tech, Technology
Tags: Camera, Gifts, Video Cameras
Much like Ford and its 40 years of Nugget camper vans, Mercedes has been working with Westfalia on its own little mini-camper since the 1980s. In fact, the Marco Polo launched two years before the Nugget and four years before the Westfalia-converted Volkswagen California. Now, Mercedes follows Volkswagen in leaving Westfalia behind and pulling its small camper van production entirely in-house. So, more literally than any other vehicle on the planet, the newly updated 2026 Marco Polo is the Mercedes of RV life.
Category: Campervans, Adventure Vehicles, Outdoors
Tags: mini-campervan, Campervan, Mercedes-Benz, Mercedes, RV, Outdoors and Camping, Camping, smart RV
Many readers will remember the MetaFly, a remote-control robotic insect that flies by actually flapping its wings. Well, its inventor is back with a much more capable robotic swift (you know, the bird), which is currently on Kickstarter.
Tags: Biomimicry, Kickstarter, Flight
The Sony World Photography Awards has announced the 10 category winners and 120 shortlisted photographers of its 2026 Open Competition. The contest, which is in its 19th year, aims to recognize the best single images taken in the past year. The 2026 edition received over 430,000 images from more than 200 countries and territories. The entries showcase a diverse range of imagery, including dramatic landscapes, humorous portraits and more.
The Open Photographer of the Year will be announced at the awards ceremony in London on April 16. The winner will receive a $5000 cash prize along with Sony imaging equipment. A selection of winning and shortlisted images will be on display as part of the Sony World Photography Awards exhibition at Somerset House from April 17 to May 4, 2026.
You can see all of the shortlisted images at the World Photography Organization website.
ArchitecturePhotographer: Markus Naarttijärvi
Image name: Industrial Layers
Description: Taken on a dark night, this view of the paper mill in Obbola, Sweden, reveals layers of shadows, concrete, clouds and sky.
Technical details: Fujifilm GFX100s II | GF110mm F2 LM WR | F2.8 | 1/18 sec | ISO 3200
Copyright: Markus Naarttijärvi, Sweden, Winner, Open Competition, Architecture, Sony World Photography Awards 2026
CreativePhotographer: Siavosh Ejlali
Image name: Lost Hope
Description: In this image the photographer describes how the black plastic covering most of the woman’s face is a sign of ‘dark thoughts and the imposition of beliefs’, while the red balloon falling to the ground could be ‘her lost hope’. The background evokes Iranian urban society, which has been the setting for the recent demonstrations involving Iranian women, noting that 'the red clothes and lips are the bloody price that women have paid.’
Copyright: Siavosh Ejlali, Iran, Islamic Republic Of, Winner, Open Competition, Creative, Sony World Photography Awards 2026
LandscapePhotographer: J Fritz Rumpf
Image name: Shapes and Patterns of the Desert
Description: An early morning glow brings out the rich pastel colours of the Sossusvlei dunes in Namibia. The contrast of the green and delicate peach colours almost overwhelms the senses; the patterns and textures emerging from the shadows give the landscape a distinctive, painterly look.
Technical details: Nikon Z8 | Nikkor Z 180-600mm F5.6-6.3 VR | F13 | 1/400 sec | ISO 200
Copyright: J Fritz Rumpf, United States, Winner, Open Competition, Landscape, Sony World Photography Awards 2026
LifestylePhotographer: Vanta Coda III
Image name: Charlotte and Dolly
Description: Charlotte lies with her cow Dolly, keeping cool in the cow barn between events at the 100th State Fair of West Virginia in Lewisburg. Outside, the temperature is upwards of 32°C.
Technical details: Canon EOS R3 | RF 24-70mm F2.8 L IS USM | F2.8 | 1/320 sec | ISO 500
Copyright: Vanta Coda III, United States, Winner, Open Competition, Lifestyle, Sony World Photography Awards 2026
MotionPhotographer: Franklin Littlefield
Image name: Sailboat
Description: A punk show in Providence, Rhode Island, featuring the band Sailboat.
Technical details: Fujifilm X-S20 | XF 16mm F2.8 R WR | F2.8 | 1/2 sec | ISO 200
Copyright: Franklin Littlefield, United States, Winner, Open Competition, Motion, Sony World Photography Awards 2026
Natural World & WildlifePhotographer: Klaus Hellmich
Image name: Arctic Fox in Blizzard
Description: A blue arctic fox in a blizzard, photographed on the Varanger Peninsula, Norway.
Technical details: Nikon Z8 | Nikkor Z 400mm F2.8 TC VR S | F2.8 | 1/50 sec | ISO 1000
Copyright: Klaus Hellmich, Germany, Winner, Open Competition, Natural World & Wildlife, Sony World Photography Awards 2026
ObjectPhotographer: Robby Ogilvie
Image name: Colour Divides
Description: Taken in the Bo-Kaap neighbourhood of Cape Town, South Africa, this image centres on a parked car set against a sharply divided colourful facade. The composition balances geometry and saturation; everyday architecture becomes graphic and deliberate, reflecting how colour and place shape urban identity.
Copyright: Robby Ogilvie, United Kingdom, Winner, Open Competition, Object, Sony World Photography Awards 2026
PortraiturePhotographer: Elle Leontiev
Image name: The Barefoot Volcanologist
Description: On the ash plains of Mount Yasur, on the island of Tanna, Vanuatu, Phillip, an internationally recognised, self-taught volcanologist, stands barefoot atop a volcanic rock bomb. Wearing a lava-protection suit gifted to him by some visiting researchers, the volcano smoulders behind him, sending a plume of gas and sulphur into the sky. Phillip grew up beneath the active volcano, and this portrait captures him in his element.
Technical details: Sony a7 III | FE 24mm F1.4 GM | F16 | 1/250 sec | ISO 320
Copyright: Elle Leontiev, Australia, Winner, Open Competition, Portraiture, Sony World Photography Awards 2026
Street PhotographyPhotographer: Giulia Pissagroia
Image name: Between the Lines
Description: A family marvels at the view from Ørnevegen (Eagle Road), Norway, in this candid shot.
Technical details: Sony a7 IV | FE 24-105mm F4 G OSS | F22 | 1/200 sec | ISO 1250
Copyright: Giulia Pissagroia, Italy, Winner, Open Competition, Street Photography, Sony World Photography Awards 2026
TravelPhotographer: Megumi Murakami
Image name: Untitled
Description: The Abare Festival has been passed down for 350 years in Japan's Noto region. This image captures the festival’s finale, as men leap into the river amidst fiercely burning torches that send sparks flying everywhere. They rampage wildly, believing the more they rage, the more the deity rejoices.
Copyright: Megumi Murakami, Japan, Winner, Open Competition, Travel, Sony World Photography Awards 2026
What do nine-time Grammy-winning billionaire Rihanna, stunning beaches, and a potential 50-megawatt wave-energy project have in common? Barbados! The island nation is deploying a unique type of wave energy technology to convert its renowned ocean waves into sustainable electricity and freshwater.
Category: Energy, Technology
Tags: Wave Power, Renewable Energy, Clean Energy, Desalination
South Metro Atlanta is set to become home to a demonstration pilot for a publicly accessible automated transit network using autonomous electric vehicles on dedicated guideways. This system promises to end nail-biting traffic congestion, delivering a rail-like capacity at bus-fare prices without the traditional cost or construction timelines.
Category: Urban Transport, Transport
Tags: Autonomous Vehicles, rapid transit, Public Transport, Electric Vehicles, Infrastructure
DPReview has been selected as one of four founding Global Media Partners for CP+.
Each year in February, the camera industry gathers in Yokohama, Japan, for CP+ Expo, the industry's official trade show sponsored by the Camera & Imaging Products Association (CIPA). What's more, DPReview has been selected as one of four founding Global Media Partners for CIPA's CP+ partnership program, bringing you exclusive news, insights, and hands-on access to the event.
CP+2026 runs from February 26th to March 1st. We've created a dedicated CP+ show page to help you track all the news from CP+ in one place. This is where you'll find our latest updates – including content that may not appear on our homepage – ranging from breaking news and hands-on impressions to behind-the-scenes looks at the event and more.
Let us know if there's anything specific you want us to watch for, and we'll keep our eye out!
Earlier this year, Nikon announced the Nikkor 24-105mm F4-7.1, a new, budget full-frame zoom lens designed to be kitted with its entry-level full-frame offering, the Z5II. We've put in some time with it to see how it performs.
As a note, while we've spent some time with the lens on a Z5II, our sample gallery was produced using the higher-resolution Z8; it's probably not a pairing you'll see often out in the wild, but we want to show the lens's image quality in as much detail as possible.
Speaking of, I'll admit that I had certain expectations coming into shooting with this lens. If you've ever used an inexpensive lens with a wide focal range and a relatively slow, variable aperture, you're probably aware that it's not a formula for great image quality. Despite that, I found the 24-105mm to be decently sharp for most of the frame, even wide open. Vignetting was also quite a bit better than I'd have guessed; it's there at F4, and doesn't fully go away until F8, but even wide open it's not too noticeable unless you're specifically taking comparison shots.
The shooting experienceNikon used a stepper motor to power this lens' autofocus, which is what we'd expect for this price range. It performs well; the lens is quick to focus, even when you're going from close up to near infinity. While it's not lightning fast, it'll get the job done for most types of shooting.
The 24-105mm extends quite a way out when you're zooming in, but despite this, its center of gravity doesn't change that much. It's a small thing, but it's nice not having to adjust your grip as you change focal lengths. I also didn't find that the lens forced me to hold it in a way that made me accidentally activate the customizable control ring.
It's not all sunshine, though. Even with modern cameras with stabilized sensors and decent high ISO performance, F7.1 is still quite slow. You don't get down to it until you're almost entirely zoomed in – even at 85mm, the lens can still maintain F6.3 – but it will limit what you can do with it. You won't want to shoot fast-moving subjects unless they're in bright sunlight, and while its longer focal lengths are theoretically decent for portraiture, you may not be able to get as much subject separation as you'd want.
With a faster lens I could've caught it, but instead, this moment is lost like tears turkeys in rain.
Nikon Z8 | Nikkor 24-105 F4-7.1 | 105mm | F7.1 | 1/125 sec | ISO 2800
As an example of how this can be frustrating, on one of my photo walks one evening, I came across a rafter of wild turkeys. They wouldn't let me get too close, so I had to shoot at 105mm, but as I raised my camera, one hopped down from the raised wall to the sidewalk. The combination of the lens being at F7.1, the late afternoon light, and my relatively conservative maximum ISO settings meant that what would've been a cool shot just ended up a blurry mess.
Still, if you prefer the wide-end, it's worth noting that the maximum aperture stays relatively fast for a while. At 35mm it's F4.2, and it stays at or under F5.6 until around 62mm.
SummaryWhile these kinds of lenses are rarely the most exciting, Nikon has built a decent selection of kit zooms for its Z mount cameras. Retailing for $550 on its own and adding $350 to the retail price of the Z5II, this is the company's least expensive full-frame offering in that category by a fair margin. The 24-200mm F4-6.3 VR retails for $400 more, and adds an additional $450 onto the price of the Z5II. And while that lens is well-regarded, has stabilization and is faster at its long(er) end, it's also a fair bit heavier and a bit larger, though the size gap between them isn't as big as you might think given its extra reach.
While the 24-105mm isn't the kind of lens that most photographers will keep around forever, it seems like it offers a decent place to start for those who aren't sure yet where their photography journey will take them.
Sample GalleryPlease do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing; we do so in good faith, so please don't abuse it.
Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab.Lumberton, Texas-based startup Ecoute Audio made a splash with its first-ever product back in 2023, when it unveiled its TH1 headphones aimed at hi-fi enthusiasts.
Category: Consumer Tech, Technology
Tags: Headphones, Audiophile, Bluetooth, Vacuum Tube, Hi-fi, Kickstarter
Maxi scooters have always lived a strange life. They’re not exactly small, city scooters, and they’re not exactly motorcycles. They’re sort of both – built in the shape of scooters but have enough power and space to go longer distances with the comfort of motorcycles.
Category: Motorcycles, Transport
Tags: Scooter, Suzuki, urban transport, Touring
The earliest ancestors of all backboned animals, including humans, may have viewed the world with four eyes, not just two. The remnants of those extra eyes persist in the human brain today as the pineal organ, which is deep inside our brain, regulating our sleep cycle, but no longer forms images.
