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Sub-$300 mini camera drone flies 4K/60fps video and obstacle avoidance

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Consumer drone startup Skyrover is looking to shake up the market for budget drones with the release of its mini drone, the Skyrover S1. It’s claimed to be the first sub-249-g (8.8-oz) camera drone under US$300 to feature forward obstacle avoidance, while also sporting an ultra-HD camera, a long transmission range, and up to 2 hours of flight time.

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Category: Drones, Consumer Tech, Technology

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15.6-inch screen instantly mirrors any phone without cables, apps or Wi-Fi

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Described as a "phone-first portable wireless display," this new 15.6-inch IPS screen known as Takolink aims to take the effort – and the need for a shared network – out of mirroring technology. What's more, the makers say it'll work with almost any phone and doesn't require apps or any extra installments and setup.

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Category: Electronics, Consumer Tech, Technology

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Chins are unique to humans and possibly an evolutionary accident

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Male nipples. Whale pelvic bones. Vestigial hind limbs in snakes. Evolution is full of features that look purposeful. But upon closer inspection, science tells us that they are actually by-products of development and shifting gene expression. New research suggests the human chin may be one such evolutionary spandrel, a term biologists use for a trait that emerges as a consequence of other changes rather than as a direct adaptation.

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Category: Biology, Science

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Apple's Pro desktop computer is no more: the Studio is the new flagship

Digital Photography Review news -

So long, and thanks for all the FLOPs.
Image: Apple

Apple has discontinued the Mac Pro, removing the desktop computer from its website and telling 9to5Mac that there aren't any plans to replace it. This marks an end of an era, as the company is no longer selling a large computer with internal PCI-e slots that could be used to expand its capabilities, after decades of offering that kind of halo-tier product.

This leaves the Mac Studio as the top-end desktop that Apple sells, though anyone paying attention to the Mac lineup knows that it kind of was already. The now-discontinued Mac Pro was announced in 2019, outfitted with an Intel processor. Just under a year later, Apple started transitioning to using its own chips for the Mac lineup, eventually updating the Pro to use its top-end M2 Ultra chip in 2023.

Announced alongside it, though, was the Studio, a much smaller computer with that same chip. And while the Mac Pro's modularity had provided it some distinct advantages in the pre-Apple Silicon era – the ability to add in third-party GPUs for extra horsepower, or to upgrade the RAM or storage with third-party options – those disappeared with the M2.

The M2 Mac Pro looks almost empty; there are PCIe slots, sure, but no massive banks to slot RAM into, nowhere to put hard drives, no big graphics card taking up a few slots.
Image: Apple

Essentially, the Studio and the Pro were the same computer, except one was a lot bigger and more expensive, and its PCI-e slots were only useful in very niche situations. People wondered what the point of the Pro was in the era of the studio, and predicted that Apple would give up on the larger desktop eventually. Those fears were essentially confirmed in 2025, when Apple updated the Mac Studio to add its latest chips, leaving the Pro to languish.

Was it complete overkill for any photographer, and most videographers? Almost certainly.

As someone who grew up as a computer enthusiast, it's a little sad to see the world's largest computer company give up on this concept and form factor. Was it the most powerful computer out there? Absolutely not. Was it complete overkill for any photographer, and most videographers? Almost certainly. But it was aspirational; a modular, upgradable computer that showed that Apple still cared about the niche of enthusiasts willing to pay for something they could tinker with.

That is, of course, remembering the Mac Pro of the past, because the M2 Ultra-equipped model didn't fill that role either. This week's discontinuation essentially feels like a formality; Apple is finally admitting that there hasn't really been a reason to buy a Mac Pro in a while.

PS: When the Mac Pro was launched in 2019, it was launched alongside the Pro Display XDR, a monitor that was recently replaced by the Studio Display XDR. The Studio's dethroning of the Pro continues.

How to survive the great camera drought

Digital Photography Review news -

After a fascinating 2025, this year has started off really slowly. We're now three months into 2026 and only two cameras have so far appeared: the Ricoh GR IV Monochrome and the Panasonic ZS300.

The Panasonic is a slightly downgraded version of an eight-year-old camera and, while the Ricoh has shown itself to be rather lovely, it's a mono version of an existing model. And it was first announced last year. So we've got nearly a quarter of the way into the year without a major new model announcement.

For reference, the average number of cameras launched in the first quarter of the year over the last half decade has been 5.6 new models.

Admittedly, the mainstream models from all the biggest full-frame makers have all just been updated, but there are plenty of other models that might benefit from an update, and whole segments that feel like there should be enough pent-up demand to be worth refreshing, whether that's compact Micro Four Thirds models as a concept or enthusiast compacts as a segment.

So what should you do, if the replacement for your camera or the camera you think should exist, hasn't arrived yet?

Brace yourself for the possibility that "the next version" of your camera isn't coming

We're hoping OM System or Panasonic might re-introduce a small Micro Four Thirds camera, or that anyone will commit to the idea of an enthusiast photographers' compact but, even if they do, development typically takes a couple of years, so we're not holding out collective breath.

Photo: Carey Rose

The first thing we'd suggest is tempering your expectations. The camera market has shrunk significantly, and most of the major camera makers are exploring what sorts of cameras might appeal to a wider audience, rather than simply modernising their existing lineups.

Whether it's Sony's expansion into the vlogging-focused ZV series, Canon teasing a waist-level camera that takes photos of an image projected on a screen or the increasing interregnum suggesting we may never see a like-for-like replacement of the Nikon Z7, the signs are that camera makers are looking to do things differently. There'll still be plenty of photographer-focused models such as the Nikon Z6III, Panasonic S1II, Canon EOS R6 III and Sony a7 V, but some of the less mainstream models may not be replaced.

As camera makers look to engage with wider audiences we're likely to see more things like Canon's "Analog" concept, in which a small sensor takes a photo of an image projected on a screen. Cameras that are about fun, more than image quality, rather than just like-for-like replacements of existing models.

Photo: Mitchell Clark

So, while within our circles, it may seem obvious that there's demand for an enthusiast compact or replacement for the Panasonic GM5 or Olympus PEN-F, the camera manufacturers may not interpret their tea leaves the same way. Don't hold your breath.

Also, bear in mind that cameras typically take two to three years to develop: camera makers aren't going to be able to react to the latest trends unless they spotted them quite some time ago.

Focus on other things

Another way to pass the time is to stop focusing so much on cameras. In many instances, a new lens for your existing camera will have a more profound impact on your photography than a new body that shoots slightly faster, captures better video or recognizes a few additional subject types.

If you're still using DSLR lenses, you might be surprised by how good the latest designs are. Or how competitive some of the emerging manufacturers from China are becoming.

Photo: Richard Butler

Alternatively, consider signing up for some photography courses, to help improve your technique or provide some inspiration. Though the prevalence of people very confidently and incorrectly explaining concepts such as ISO on photo course videos on Instagram would make us suggest you choose those courses carefully.

Or, of course, you could spend your money on some sort of trip that provides new photo opportunities. This could be an explicitly photo-focused trip to somewhere you've never been or it could just be a trip for travel's sake, with the camera along for the ride. Either way, it might do more for you and your photography than a new camera.

Wait it out

Historically, we've seen that a lot of people skip a generation when it comes to upgrading cameras, and that's generally quite a sensible approach: it's pretty unusual for a camera's replacement to be so dramatically better as to be worth the costs associated with upgrading, but your camera's replacement's replacement will typically be appreciably better. So if you have a recent model, there's probably no harm in waiting.

That said, we know there are a lot of people hanging onto their DSLRs and their DSLR lenses, who may be unaware of how dramatically autofocus has improved in the past few years, in terms of accuracy and consistency, as well as easy-of-use, or how much better many modern lenses are than DSLR optics.

Ultimately, if you have a camera you like already, there's no pressing urge to upgrade, so there's no real downside to just biding your time to see what arrives. The only thing we wouldn't recommend is holding off in the hope that prices will drop. Sadly, the significant inflation of the past few years is likely to mean that the price you paid for your last camera isn't much of a guide to what your next one will cost. If nothing else, the camera drought might let you save up a little longer.

From forest trails to neon streets: a Viltrox 16mm F1.8 L sample gallery

Digital Photography Review news -

When you use DPReview links to buy products, the site may earn a commission. Photo: Abby Ferguson

Last month, Viltrox announced its first L-mount lens since joining the L-mount alliance in September 2025. The 16mm F1.8 L wasn't a new design, as it had previously been available for E and Z mounts. Still, since it was the company's first L-mount offering, we took the opportunity to shoot with it a bit to see what it's like.

I happened to have the lens while in Japan for CP+, so I had the opportunity to put it through the paces in Tokyo and Yokohama, along with back home while spending time with family. Some of that time included very rainy conditions, and I wasn't exactly careful about protecting the lens. Thankfully, Viltrox says the lens has some weather sealing, and indeed, I didn't experience any issues even after a full day in the rain. It feels really solid in general, so I wouldn't feel the need to baby it.

"I didn't experience any issues even after a full day in the rain."

What I did have issues with, though, was the aperture ring. The dedicated aperture ring can be clicked or declicked, but I found the clicks to be very subtle. It was very easy to turn the aperture ring unknowingly, which left me frequently confused about why I couldn't change my aperture with the camera's front dial, not realizing the lens's control had been knocked out of 'A' mode. If you prefer to use the aperture ring instead of camera controls, it won't be an issue, but it did take some getting used to and meant I had to pay extra close attention to where I was touching the lens.

The front element is subtly protruding, but it doesn't go beyond the filter thread.

Photo: Abby Ferguson

In addition to the aperture ring, the lens offers an AF/MF switch and two customizable function buttons. It also features a front element that doesn't protrude past the lens housing, unlike some 16mm lenses, which kept me from worrying as much when walking around with the lens sans lens cap. I didn't use any filters during testing, but the less bulbous element also means it's compatible with traditional screw-in filters (77mm), which is helpful.

16mm isn't a focal length everyone needs or loves, but it is a fun tool to play around with, especially when traveling, provided you don't mind the size and limited versatility. It can provide some distinctive and dramatic perspectives, though, which is always nice with the right subjects.

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Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing; we do so in good faith, so please don't abuse it.

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All images were processed using our standard lens workflow in Capture One, with the manufacturer's distortion correction applied but no vignetting correction. The profile only corrects a small amount of distortion around the edges, so we wouldn't consider it to be an essential part of the lens design if you prefer not to use it, or your preferred software does not support lens corrections.

Fiery aluminum truck hut camper goes family size, stays featherlight

Gizmag news -

The Kimbo camper has always felt to us less an RV and more a stylish backcountry hut secured to a pickup bed. That's partly because of the striking all-hard-sided aluminum build, partly because of the Dickinson mini-fireplace flickering away inside, and partly because of the cozy, rustic layout Kimbo has managed to carve out of a tiny space. It all combines into an ultralight camper that feels truly homey. Now, Kimbo adds to that homeyness, expanding out a couple of feet to create a more fully equipped roaming micro-home for full-size trucks.

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Category: Pickup Campers, Adventure Vehicles, Outdoors

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Ultra-sleek double-flipper knife smuggles secret EDC tool in handle

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With a smooth body and inverse Wharncliffe blade-shaped handle, the Doodler from Knafs is an instant classic – a slim, folding gentleman's knife built for everyday carry (EDC) in and beyond the office. As sleek as that handle is, it still manages to house a cache for an even lighter, slimmer tool that promises to come in handy quite regularly, if not every single day. It's not quite a complete multitool, but the wildly slim Doodler is a dual-purpose instrument that you'll be glad to have in your suit jacket pocket.

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Category: Knives and Multitools, Gear, Outdoors

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Researchers gene-edit the bitterness out of grapefruit

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In the late 1990s, molecular biologist Yoram Eyal, and colleagues at The Volcani Center in Israel, identified the key gene and enzymes responsible for producing the bitterness compounds in grapefruit. Now, using the genome editing technology CRISPR/Cas9, the team has inactivated the gene in a type of grapefruit (Citrus paradisi) to eliminate that bitter taste.

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Category: Biology, Science

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Never say never: OM System reopens the door to compact cameras

Digital Photography Review news -

OM System's Director of Marketing Communications, Nobuaki Tanaka, and SVP of Global Brand & Marketing Strategy, Kazuhiro Togashi, at CP+ 2026.

Photo: Abby Ferguson

The interchangeable-lens camera market may be holding steady, but OM System executives say the ground beneath it is shifting. In a recent interview at CP+, they pointed to smartphones, rising prices and changing expectations surrounding computational photography as forces reshaping where they compete and what they focus on.

At this year’s CP+ show in Yokohama, we sat down with OM System's Kazuhiro Togashi, Senior Vice President of Global Brand & Marketing Strategy and Nobuaki Tanaka, Director of Marketing Communications, to talk through those questions from their perspective. In a wide‑ranging conversation, we discussed everything from compact cameras and the future of Pen to lenses, OM System's outdoor positioning and how far they’re willing to go with AI.

Changed opinions on compact cameras

For now, the Tough series is OM System's most current compact camera, with the TG-7 coming out in 2023.

Image: OM System

Last year at CP+, Togashi made it clear that OM System had no plans to develop a compact camera beyond the TG series. Instead, he told us, "We feel that this is a temporary trend," in terms of enthusiast compacts. He also added that high-end compacts would require too much investment in "research and development [and] also in reestablishing a high-end compact brand image" to allow for a profitable product.

"We are closely monitoring and analyzing this trend"

Now, though, Togashi seems to have changed his mind. "We are closely monitoring and analyzing this trend," he tells us. "The situation is very clear," he says, adding that "the compact camera segment has shown signs of growth over the past two to three years." As Togashi sees it, "some users who originally intended to purchase an ILC but were unable to do so due to higher prices are increasingly considering premium compact cameras as an alternative."

While this apparent change in stance doesn't necessarily mean we should expect an OM System compact this year (or at all, for that matter), it could leave the door open for hope among compact fans looking for a truly new option.

A new Pen is underway

The last Pen came out under the Olympus brand. OM System made it clear that a new model is in the works, though.

Image: Olympus

Togashi also told us last year that it was too soon to expect a new Pen. "We think the camera's design must realize the concept of the product, so we don't start to decide the camera design before deciding the camera's concept," he said at the time, adding that, "we haven't decided on the product concept" for the Pen.

"The new Pen’s concept progress is on schedule"

It appears that process has progressed, though. "The new Pen’s concept progress is on schedule," he says. "We already started creating the design concept. So we already started some kind of Pen camera project. Progress is good." While that was the extent of the detail he is able to share, Togashi adds that the "new Pen will satisfy many, many younger generations in the future." It certainly is an exciting-sounding teaser, at the very least.

"The new Pen will satisfy many, many younger generations in the future."

"The Pen series is very important for us," Togashi says. But he also has a clear understanding that, given how long it's been since the last Pen (2021 for the Pen E-P7), some reeducation will be necessary to help people understand the legacy of that line. "We will explain about the Pen again to the market," he says. "Because you are specialists, right? You know a lot of insight for the camera industry and manufacturing history, but maybe younger generations, they don't know what 'Pen' is."

AI and computational photography

OM System's latest cameras, the OM-3 and OM-5 II, have a new button that lets you directly access their computational photography features.

Photo: Mitchell Clark

While the Pen is centered around nostalgia, OM System is also focused on advancing technology to offer photographers something new in camera bodies. Togashi says this comes in the form of three key points: updated hardware (such as image processing engines, new sensors or AI chips), enhanced computational photography and AI features.

AI, in that framework, is something Togashi describes as having "two faces." On the positive side are things OM shooters already rely on, like subject detection, AF and noise reduction that can squeeze more usable files out of smaller sensors. "AI subject detection AF will continue to be advanced by AI technology advancement, and noise reduction functions can also be improved by AI," Togashi says.

"There is potential to provide generative AI in the camera body,"

There is a concerning side, too, however. "Generative AI can easily make fake images," Togashi acknowledges. "Therefore, we also need to take into consideration this concern." Even so, he isn't closed off to the idea of generative AI in a camera. He tells us that there is "potential to provide generative AI in the camera body," but frames it as an option on the table rather than something inevitable.

Despite seeing potential, Togashi and his colleagues stress that they feel a responsibility to protect "the real shooting experience." Tanaka put it bluntly: "Is it real photography or not? It’s a very important key for us."

"We shouldn't hide from new technologies in our cameras"

Still, Tanaka is remaining open to the idea. "In my personal opinion, we shouldn't hide from new technologies in our cameras," he says. No matter what, the team makes it clear that it is interested in providing options for users, giving them the power to decide whether to use generative AI or not.

The importance of OM System's lenses

OM System has been mostly focused on telephoto lenses in recent years, but Togashi says there are plans for more wide angle and prime lenses in the future.

Photo: OM System

Some users have questioned whether lens development at OM System has stalled because of a thin lens roadmap compared to the past, but Togashi assures us that is far from the case. "For our lens lineup, we'd like to expand more and more," he says. Lately, that expansion has largely been focused on longer telephoto lenses, "but we also have a plan to expand small wide-angle lenses and prime lenses in the future," he adds.

"We also have a plan to expand small wide-angle lenses and prime lenses in the future"

Togashi emphasized that lens size is a focus for the team moving forward. After all, the Micro Four Thirds format allows for more compact lenses compared to APS-C and full-frame. "The other systems are compact – maybe other competitors have smaller camera bodies, but not lenses," explains Togashi. "Our lenses are very small and compact in the right way. This is a clear differentiation from our competitors."

Compact lenses are especially important following the launch of the OM-3. "I think we need appropriately designed brand‑new lenses for OM‑3, as many of the existing lenses are relatively large for this type of camera," Togashi says.

Aiding the promise of OM System's lens lineup is the company's financial situation. Togashi tells us that the company is generating operating profit continuously. "Our fundamental financial situation is very stable and stronger than it was before," he informs us. "We can invest in human resources or new technologies, not only for camera bodies but also for lenses. Therefore, we will develop new lenses in the future."

This article is based on an interview by Dale Baskin and Abby Ferguson at CP+ 2026. It has been edited for clarity and flow.

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