Harold Pinter
Harold Pinter (10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others’ works include The Servant (1963), The Go-Between (1971), The French Lieutenant’s Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others’ works.
Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980.
Pinter’s career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as “comedy of menace”. Later plays such as No Man’s Land (1975) and Betrayal (1978) became known as “memory plays”. He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d’honneur in 2007.
Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett‘s one-act monologue Krapp’s Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008.
W O R K S
Stage and television plays
- The Room (1957)
- The Birthday Party (1957)
- The Dumb Waiter (1957)
- A Slight Ache (1958)
- The Hothouse (1958)
- The Caretaker (1959)
- A Night Out (1959)
- Night School (1960)
- The Dwarfs (1960)
- The Collection (1961)
- The Lover (1962)
- Tea Party (1964)
- The Homecoming (1964)
- The Basement (1966)
- Landscape (1967)
- Silence (1968)
- Old Times (1970)
- Monologue (1972)
- No Man’s Land (1974)
- Betrayal (1978)
- Family Voices (1980)
- A Kind of Alaska (1982)
- Victoria Station (1982)
- One for the Road (1984)
- Mountain Language (1988)
- The New World Order (1991)[1]
- Party Time (1991)
- Moonlight (1993)
- Ashes to Ashes (1996)
- Celebration (1999)
- Remembrance of Things Past (2000) [Stage adapt. of The Proust Screenplay; a collaboration with Di Trevis.]
Awards and nominations for plays
Broadway[
- 1962 Tony Award Best Play: The Caretaker (nominee)
- 1967 Tony Award Best Play: The Homecoming (winner)
- 1972 Tony Award Best Play: Old Times (nominee)
- 1977 Drama Desk Award Outstanding New Play (Foreign): No Man’s Land (nominee)
Dramatic sketches
- The Black and White (1959)
- Trouble in the Works (1959)
- Last to Go (1959)
- Request Stop (1959)
- Special Offer (1959)
- That’s Your Trouble (1959)
- That’s All (1959)
- Interview (1959)
- Applicant (1959)
- Dialogue for Three (1959)
- Umbrellas (1960)
- Night (1969)Main article: Mixed Doubles (play)
- Precisely (1983)
- “God’s District” (1997) [“Monologue, written for the intimate revue Then Again . . .,, Lyric Hammersmith, March 1997″ (Baker and Ross)][3]
- Press Conference (2002)
- Apart From That (2006)
Radio plays
- Voices (2005) (collaboration with composer James Clarke)[
Screenplays for films
- The Caretaker (1963)
- The Servant (1963)
- The Pumpkin Eater (1963)
- “The Compartment” (1965) [Unpublished screenplay for unproduced film; adapt. for stage as The Basement (1966)]
- The Quiller Memorandum (1965)
- Accident (1966)
- The Birthday Party (1968) [Unpublished screenplay adapted by Pinter from his play The Birthday Party (1957)]
- The Go-Between (1970)
- The Homecoming (1969)
- Langrishe, Go Down (1970; adapt. for TV 1978; film release 2002)
- The Proust Screenplay (1972) [Published 1978, but unproduced for film; adapt. by Harold Pinter and director Di Trevis for the stage (2000); cf. Remembrance of Things Past]
- The Last Tycoon (1974)
- The French Lieutenant’s Woman (1981)
- Betrayal (1982, 1983)[5]
- Victory (1982) [Published but unproduced]
- Turtle Diary (1984)
- “The Handmaid’s Tale” (1987) [unpublished credited screenplay commissioned for the 1990 film The Handmaid’s Tale]
- Reunion (1989)
- The Heat of the Day (1988) [adapt. for TV]
- The Comfort of Strangers (1989)
- “The Remains of the Day” (1991) [Unpublished and uncredited (at Pinter’s request) screenplay commissioned for the 1993 film The Remains of the Day]
- Party Time (1992) (Rev. & adapt. for TV)
- The Trial (1993)
- “Lolita” (1994) [Unpublished and uncredited screenplay commissioned for the 1997 film Lolita]
- The Dreaming Child (1997) [Published but unproduced; adapted from a short story by Isak Dinesen (Karen Blixen)]
- “The Tragedy of King Lear” (2000) [Unpublished screenplay commissioned by actor Tim Roth for a film to be directed by Roth but not produced]
- Sleuth (2007)
Awards and nominations for screenwriting[
- 1963 BAFTA Best British Screenplay: The Servant (nominee)
- 1964 BAFTA Best British Screenplay: The Pumpkin Eater (winner)
- 1966 BAFTA Best British Screenplay: The Quiller Memorandum (nominee)
- 1967 BAFTA Best British Screenplay: Accident (nominee)
- 1972 Society of Film and Television Arts Best Screenplay: The Go-Between (winner)
- 1972 BAFTA Best Screenplay: The Go-Between (winner)
- 1976 David di Donatello (Italian Academy Awards) Best Foreign Screenplay: The Last Tycoon (winner)
- 1976 Ennio Flaiano Award for Screenwriting: The Last Tycoon (winner)
- 1981 BAFTA Best Screenplay: The French Lieutenant’s Woman (nominee)
- 1981 Academy Award Best Screenplay Based on Material from Another Medium: The French Lieutenant’s Woman (nominee)
- 1982 David di Donatello (Italian Academy Awards) Best Foreign Screenplay: The French Lieutenant’s Woman (winner)
- 1982 Golden Globe Best Screenplay––Motion Picture: The French Lieutenant’s Woman (nominee)
- 1983 Academy Award Best Screenplay Based on Material From Another Medium: Betrayal (nominee)
- 1983 BAFTA Best Adapted Screenplay: Betrayal (nominee)
Prose fiction
- “Kullus” (1949)
- The Dwarfs (written from 1952–1956; rev. and first published 1990) (Novel)
- “Latest Reports from the Stock Exchange” (1953)
- “The Black and White” (1954–55)
- “The Examination” (1955)
- “Tea Party” (1963)
- “The Coast” (1975)
- “Problem” (1976)
- “Lola” (1977)
- “Short Story” (1995)
- “Girls” (1995)
- “Sorry About This” (1999)
- “Tess” (2000)
- “Voices in the Tunnel” (2001)
- “The Mirror” (2007)
Collected poetry
- Poems (1971)
- I Know the Place (1977)
- Poems and Prose 1949–1977 (1978)
- Ten Early Poems (1990)
- Collected Poems and Prose (1995)
- “The Disappeared” and Other Poems (2002)
- Poems by Harold Pinter Chosen by Antonia Fraser. Warwick: Greville Press Pamphlets, 2002. (Limited ed. of 300 copies, “of which the first fifty are numbered and signed by the selector.”)
- Six Poems for A. Warwick: Greville Press Pamphlets, 2007. ISBN 0-9555821-1-3 (10). ISBN 978-0-9555821-1-0 (13).